Stars

Milky Way Galaxy looking into the arm, High Uinta Wilderness, August 2024. Photo Ryan Moat.

Pluto

It stands that astrology could all be bull shit
But so could a lot of other concepts offered
in the universe of human understanding
or misunderstanding
Do you really know? Do you just believe?
These are two different things

Air and Space Smithsonian, Washington, D.C.,
sometime in 2008, and Pluto had been stripped of
Planetary status. I was sad. For no reason other than
“My very educated mother just sent us nine
Pizzas” wouldn’t be a thing anymore. I’m not
Sure what about this ninth rock being demoted

depressed me, but when we entered the hall of
Planets, the original installation next to Uranus
Had not been taken down yet. It was only
Inconsiderately draped with a huge swath of
Gray fabric. You could still see Pluto’s form
Lumped with, Charon, his major moon bulbing up

Under the gray canvas. I was sad.
I am woman of faith, despite my unknowing
And when my horoscope explains that
Pluto is finally leaving Capricorn after
fifteen years, it makes complete sense to
me, I’m not saying that the information is designed

For anyone else on planet Earth,
but, damn, if I don’t feel this revelation like fire
Like second chances, like all explanations that are
explainable and can and cannot be explained
Adios, Pluto. You were downgraded from
Planet status a long time ago.

Comet C/2020 F3 (Neowise), Mirror Lake, Utah, December 2020. Photo Ryan Moat.

Für Beethoven

I finally get it
I understand
How L. v. Bthvn
Knew the whole
Of life and love
Because he felt it
So poignantly
So achingly
So intimately
When he writes
Bagatelle No. 25
in A minor
(Für Elise)
You can
Literally sing
The notes to
The night music–
Frogs and crickets
Streams and rain
Stars and bats
Nocturnal rodents–
Keeping melody,
But poor Mozart
His night music is
All pomp, all praise
And glory
And that has
Never been what
Night is about
I suppose Mozart
Will never know

Andromeda Galaxy, M31. September 2021. Photo Ryan Moat.

Dying

it was the time of dying
yet color still held,
sunflowers paused
grass, variegated green
rest was coming
the fall,
the browning leaves and roots
stems bore that truth
the mountain, dusty gray yesterday
was dressed in snow again today
pinking wreaths of clouds
and icy indigo striations
of oncoming dusk
some death is good
the power of it real
and raw, and magic
turning over seasons
the smell of fires, newly burning

Almost New Moon. April 29, 2020. Photo Ryan Moat.

Transformation

Truly time for a
transformation, the season
to greet the New Moon

at her best, she needs
time to shed the old skin and
celebrate the ruin

time to peel back old
eyes from the clay of stunted
vision, bright and clear

her future from the
death of many miracles,
the rivulet won’t

wait, it is time to
flow with strength and abandon
with knowing and grace

Orion Nebula. Big Cottonwood Canyon. January 30, 2021. Photo Ryan Moat.

Scire (ski:re) to know. Latin.
for Starr

To know Time
is to begin to
understand the mortal
drum of the Universe

The thrum of blood
coursing through your veins,
narrative in your head,
bringing you closer
to Death,

but to know Life
is to know the
thousand Drums
cacuophonizing consciousness
Beating,

to know
to see
to love
to joy
to song
to peace

Yes, to tragedy
but, to know the
Infinite is to know
that a star is birthed
in an unfathomably
incandescent act of fusion

Bed of a nebula
beginning of Everything,
Creation– calamitous, cataclysmic
formidable, entropic
where one star died,
another reborn

In the End,
we’ll remember this
bead to celebrate
one life, it returns us
to our original scire–
to know– all love

Constellation Orion. Photo Ryan Moat.

Library

Cleo Rodgers Memorial Library, Columbus, Indiana; architect I.M. Pei, 1969. Photo ModArchitecture.

Concerto

i. Vivace
The Body and Brain create a near-constant concerto,
Orchestral ensemble that one piece of the body
May be tasked with– the soloist, for a moment–
The violin of your legs stands in the spotlight
Lifting the bow back, striking the perfect legato
When you lift each leg to strike the pedal: rising, falling,
Rising, falling, in perfect détaché, the synchrony,
Breathtaking, a veritable martelé, up and down,
Crescendoing, up and down, faster and faster,
Staccatos building as you climb that little kicker,
Beast of a hill, every note separate and distinct and
Purposeful and achingly beautiful, melody in movement

ii. Largo
The reality is that the soloist,
The part of the brain or body that is on display, is
Accompanied by an orchestra of other reactions,
Symphony, an entire production of body-brain actors
Breath increasing as you crest the top of the climb
Then wide, expansive sucks of air through your lungs as you
Descend, behind the soloist your legged
String instrument, a complex array of bodily musical
Tools, exchanges of sensory information via energy, chemicals,
Afferent and efferent neural fibers, we know this
But to experience it is so much more vivid, vibrant,
Actual art an afferent neuron gathering signals from

iii. Adagio
The skin like the finely tuned drumhead of the timpani
You’re pedaling along at a rapid pace and your
Neurons are sending each breeze that crests your
Quadricep, each flexion of your fingers as you
Reposition your palm to the vibration of your handlebars
You begin to really circle, pushing, leaning into the
Pedals with more and more force, lifting your
Foot up to keep time and pace with the peloton
This is where the sensory experience really
Begins to take off, you’re in the pace line driving
Your muscles pumping with blood, efferent signals,
Through the femoral profunda, spiccato of oxygen

iv. Finale
Feeding the whole quadricepal system: vastus medialis,
Vastus lateralis, vastus intermedius, and rectus femoris
Don’t forget the glutes, rich, ringing riot of
brain-body orchestration, molto crescendo
Coming in hot… finish line, and stop!

Ramón u Cajal, Neuron, Museo Nacional de Ciencias Naturales

Polyphonic Technicolor Synesthesia

this is how it feels to be in an autumn
wood at sunset, the entire mountain
set ablaze, a conflagration of color in
that warm waning light, each leaf in
stark relief to something visually near–
brittle topaz bark, white aspen trunk, every

sense housed in neon-rich sculptural portals
a magpie cackles from a scrub oak turning
amber its wings that look so black in flight
reflect a deep maxixe beryl,
oceanic opalescent contrast Paul Klee’s
Polyphic Setting for White

poets, mostly, long for synesthesia
so that they can produce that contrast
that catch of the craw between all worlds–
senses coming undone in an autumn
wood or at the very least they’d like to produce
it on the page, certainly the experience

might be so disconcerting as to be
horrible but if you could see autumn
lanced by a sunset or a taste a technicolor
leaf as it fell in a stream of wild wind,
maybe if you’re there long enough
in the woods, the colors begin to have

a particular flavor, like the brown dry leaves
of wyethia amplexicaulis, mule-ears become
tiramisu in the mushroom undergrowth
they take on a shape in your psyche
like a rhombus with the sun setting above
the far angle, always forty-five degrees

Michigan City Public Libaray, Michigan City, Illinois. Architect Helmut Jahn, 1977.

Thin

i do not know what
it is about now, every-
thing just feels papery
a little thin around the
edges, a little dry and
flat

Billings Public Library, Billings, Montana. Will Bruder Architects, 2013.

To Write a Poem

to write a poem
is a lot of staring out
of eyes through windows

Desert Air Motel, Sanderson, Texas. Built in 1960, restored, 2022.

Send Your Kids Weird Texts

Send your kids weird texts
Tell them that you’ll
Give them lunch money
If, when you are really
Old, almost gone, they
Will let you run your
Papery, age-spotted hand
Through the thicket
Of their hair
Make them pause
Question the sanity
Of your replies
Make them promise
So that your five bucks
Is paid forward in your
Elder years, it’ll be worth it
To give them a future
Imagination of how
Much you will
Always love them

Synesthesia as an Image, Public Domain.

Abandon All Solutions

One of my good friends
Heard this in a dream
Or in a wakened state
Where she was contacted
By the Universe,
So the advice wasn’t really
Given directly to me,
But it has come to mean
Everything

Lawrence Public Library, Lawrence, Kansas. Gould Evans Architects, design John Wilkins, 2014.

Home

Autumn, overlooking Midway, Utah. Image, my own. September 2024.

Respiration

autumn of last year,
I found myself watching my babies
breath, in sleep, in dream

deep, cadenced pulls of oxygen
fueling all parts of their frames,
their beautiful hearts keeping time

children’s eyelashes soft, curled
the color of milk chocolate,
individuated so perfectly against the

delicate skin of their cheeks,
I wept as their chests rose and fell
at the joy of watching them breath

constant, paced, churning, these fist-sized
hearts, muscling, pushing life-giving nutrients
through their precious, peaceful forms

at night, it gave me peace,
the assurance that everything was
alright, the play of pulmonary veins filling

with nitrogen, argon, all mixed in with O2
being sent to the heart from the lungs
hearts filling the upper left atrium

the heart, house of refreshment, dispersing
the blood rich with food back into the body
through the lower left ventricle

this circle saved me, literally, again and again
imagining how the autonomic, metronomic
rhythms of the heart allowed them to rest

into dream, into sleep, into measured
breaths, into the rising of the inner
oceans, breathing peace

Brain, Lightbulb, Plush Chair. Image, my own. May 2024.

Hippocampus

When my students check out a book from the library
I often encourage them to make a bookmark
Any ratty scrap of paper will do, a plus if it is neon pink
We use this slip of paper to mark where we have
Read, where we are reading, where we have been,
Where we are going. The brilliant thing is that having
A placeholder, having a signpost, having a demarcation
To show how far you have come and how far you must go
Is another kind of marker. It is a memory marker. In print,
In pulpy bound cellulose and black ink, hold in your hand,
Sniff with your nose, the real goodness of paper is that
The brain creates even more memory pins for this
Medium. So now, you are reading a book, but your
Brain even remembers, memorizes, the geography
Of the page. Where did you see that perfect sentence,
At the top of page 67, How far into the book was the
Rising action, the falling sequence, your brain takes in the
Terrain of the page—the paragraph, the thickness of the
Pages you’ve consumed thus far, becomes another kind of
Topography. So intricately is our existence connected–
Touch, sight, smell, taste—all being remembered
Brain cells, neurons, communicating with each other
Regarding the climax of the story, through an elegant
Electrochemical system. A change in the electrical charge of
One cell as you read and integrate the signs and symbols
On the page into a larger story, triggers the release of
Chemicals called neurotransmitters across synapses.
The neurotransmitters are then taken up by dendrites of the
Neuron on the other side of the synapse where they
Trigger electrical changes in that cell. The geography
that print books, and bookmarks represent only strengthens
This circuit, a story arc sweeping into the hippocampus as a
Permanent resident in some synapse of your 100 billion neurons

Crane House Stained Glass. Image, my own. August 2024.

Heart
“So much held in a heart in a lifetime.” -Brian Doyle

I won’t ever be a surgeon
But sometimes I imagine a
heart beating in a human
under the purposeful glare of
a surgical lamp. And I
have a moment to inspect
this beautiful organ with
my own eyes as it pushes
blood throughout the body
I can visualize the thick membrane
of the ventricular septum–
lengthening and shortening in
precise time, the casing
which divides the right
and left heart, the chambers,
the heart walls, muscles,
really, that send the blood
coursing through your body
with constant contract-relax reflexes
a miracle with every beat

Jean-Michel Basquait, Tuxedo, 1983

Nervous System

I am trying to get my words wrapped around my autonomic nervous system
I am trying to describe how it feels to see a photo where I once existed and have been erased
I am trying to describe the pang, the thousand natural shocks that flesh is heir to
As Hamlet intoned, unlike Hamlet, I’m not trying to leave this life. Here’s my stab.

When I’m in fight or flight, it is harder for me to wrap my words around my nervous system.
It’s those moments when I could really just use a hug– skin to skin, arms enclosing
my body, keeping me safe and calm, a quilt. Instead, in flight I feel as though the
part of my body that is involved in the flying or fighting is nearly numbed, gone, absent

For example, if a man walks in on his wife making love to someone else, his brain, right behind
His eyes may become so activated that it feels as though a horse bucked his skull from the
Inside, like eating far too much pea-colored wasabi paste in one bite, which actually
happened to me, I’m sorry to return to sushi, but it was my first time, and BAM!

Right between the eyes, if I believe that I am being abandoned, left, discarded, my entire lower gut is activated with one million energy worms, I crawl with that nearly breathless, tingle that radiates
Through the rest of my body as I try to wrap my words around my nervous system for safety
But, in fact, I should probably lean in. Accept. Sit with it. Just the other day, when a pang really

Struck me, took me by surprise, in my solar plexus, and then the breath catching, the spin,
And the whole system, consciousness, in shock, straight from the amygdala, I thought, well good,
I think this gives me the chance to decide what comes next. The brain through the body gets
first dibs on the experience, but I am learning to quiet my reaction, trace the source

Of the shock, I am trying to get my words wrapped around my autonomic nervous system
And what I am telling you is that I am trying to describe how it feels, so that I can hijack my hypothalamus, but that is impossibly ridiculous, that my wish is that no will ever have to
feel this way again, which might be the end of our species, so let’s keep flying out of our bodies

Autumn, Wasatch Mountains, Image, my own. September 2024.

See

Have you ever watched someone learn something closely? With your raw, open eyes, irises spiked wide with color, this is where miracles lie. In my classroom, students flow in and out of the physical space all day. Water. But there are moments that transcend the quirky ephemera we plaster the walls to increase engagement. Air. Like the quiet that falls on the room when you discuss the concept that maybe Thomas Aquinas was right, and you could come face-to-face with the divine on the pages of an essay you read in English class. Mountain. Perhaps you witness the that burst of energy come across someone’s being when they lift the palm sander at the finish of the final face of the joinery for their rustic bureau in woods class, when the firing is finished in the pottery studio, when the piece of silver has been hammered to perfection. Fire. Those words and worlds and ways will always be part of your fiber, your sinew, your resilience, your learning in a sorrowful, beautiful world.

Ramón y Cajal, Cajal Institute, Madrid, Spain.



Jackie Chan

People. Suh See Ok. 1988. On view at The MET Fifth Avenue. Gallery 233.

Kiai!

Kiai! is a real thing
A Japanese word
A shout– ichi
A battle cry– ni
A spirit focus– san
Not just protracted
Onomatopoeia or a yell in
Comedy-action sequence

Kiai! is designed for real life
Try it on– shi
Go! A holler that signals
Attack– jou-dan
Assault– tsuki
Let’s make it noble– roku
For purposes of this poem
Make it count– rei

Don’t hurt someone
undeserving– youi
What’s something in your
Life that you wish would
Dematerialize
Infinity in a kick, jab
What would you like to caterwaul
Into counter-offensive– gedan

Just know that when
You chop their solar plexus– chuudan
The center, they may be
More fragile than you imagine
Just a human heart– shinzo
In a suit of skin, sometimes
No breath returns–shichi
Hachi- Yame

Fumi Yanagimoto. Contemporary Artist. Painting.

Sushi

Get in my bell
You gorgeous cut
Of perfectly raw
Snapper and White tail
You delectable rolls
Of seaweed rice
Naked salmon
Perfectly nicked
Lemon save that
horrible cream sauce
For another palate
The best advice
Ever received regarding
Sushi is that if it’s good
No additives are the
Way to go
No unnecessary dressings
If it is perfectly toothy
Scrumptious sushi
Undecorated ditch the
Wasabi and Ginger
Eat it by the mouthful bare

Buddha, Chinese, early 7th century. Probably Amitabha. On view at The MET Fifth Avenue, Gallery 208.

Kali

She cradled my head in her hands
a portal opened to my heart

My body silently convulsed
at the chaos

The truth was I needed love
more than I needed life

I needed touch more than I
needed bread.

I needed tears more than I
needed water.

I needed someone who understood
breath, meditation, muscle, sinew

Connection, bodies, I needed
someone who understood

What being left felt like
I wasn’t yet beginning

To believe I would survive yet, I wasn’t able
to process the complexity

All raw edges and terrifying depths of memory,
I didn’t know I’d return from death

I’d come back into the sunlight, warm and
buttery on my chest, all senses awake

Breath Meditation N. 27. Thoth Adan.

Full Moon, Partial Lunar Eclipse, Pisces, September 2024

the earth comes between
the moon and the sun do you
feel energy shift

Lunar Eclipse. Ryan Moat. January 20, 2019.

Eschatology

Life took us to the edge of the known universe

this brink, this precipice, on a red dirt plateau,
all rust-verged and jagged,
like a tear in heart tissue,
like broken bone projecting through soft skin.

skin, bone, sinew often don’t break cleanly
so there, on that terrifying cliff,
we looked out into the blackness
and saw that it was our own

dotted with infinite, swirling stars,
nebulous arms of our galaxy, folded across
that night, that nothing. we realized
the instant we stepped to the fathomless limit

all the light we carried in our core could somehow
save us, from this end. So into the starry,
inky ebony we leapt, being careful to be
sure that we crossed over the boundary between

everything we’d known, into every
night we’d ever feverishly dreamed.
this jump, this real act of
self-preservation flung us into

the heart of the unknown cosmos
and there we were to greet ourselves
at the gates of our unknowing.
we opened the tiny, golden latch on the

impossibly large, swinging metalwork gate,
stepped slowly, quietly over the threshold of
revelation, everything open and waiting
for us in that pitchy gloam still had

to be sensed– felt, touched, tasted, smelled–
not physically, but by the fingers of
the formerly known soul that now
bore this greater knowing. this

was not the end but the beginning.
a larger excursus on the limitless
infinite than we had previously
known. we’ll never know if there

was only one way to this beginning–
the ledge, the leap, the jump–
our tiny, finite, blink of a guess gives us
the idea that, no, there are

many precipices, many pinnacles, many paths
to the infinite edges of the unknown into
new reaches of galactic consciousness–
seeing and knowing more than we

could possibly have imagined yesterday

Breath Meditation N. 22, Thoth Adan.

Peaches

Peaches. Farmer’s Market. by Quin Olpin. September 2024.

Benediction

Candlelight wavers in the silent brush of the ceiling fan
Night air sinks into currents of cool water brought up
From the little creek, the smell of river paired with even
More oxygen lifts and falls on a fleeting breeze, fresh and sweet

Whatever music and magic there is to be had in
The universe is happening right here inside my home
At my table, it happens in moments like these, in every
Pocket of the world tonight– right here, right now, breath easy

Big Dipper. Again and Forever. September 2024. Image, my own.

Horǎ

In dream, the night is thick
with cricket symphony
the grass stalks golden,
long and chilled in the
meadow, above the sentinel
oak the stars prick blackness
like reverse needle-work
intricate dance, flowing and fire,
thousands of light-years away
yet seemingly so near

The tent is simple and
the lashings have been tested
in a storm that whipped through
an hour ago, howling
at the white flaps of canvas,
smattering rain onto the party
but the air now returns to dark stillness.
Lanterns, re-lit, quiver
and sway in simple
atmospheric breaths

I hug my sister close,
smile at a friend across
the way, eyes connecting
and story-telling for just
an instant and then
I am physically
swept away, time suspends
its relentless snick, and
in that instant we spiral
as one

Limbs outstretched, grasping
and firm as we reach
for one another, smiles,
countenances as wide and
open and awed as galactic
arms around and around
We swirl in an ancient pattern
of love, mirrored in the heavens
templated by earth
and actioned by humans

Under the open-sky,
beneath the tent, midst
the lanterns, our heat
rising in healing, and
celebration, and joy,
an eschewance of hatred,
a ceremony of
transcendence and light
through the ages

Plexus no. 34. Gabriel Dawe. Amon Carter Museum, Austin, TX.

Peach

Oh. My. God. Let the sweet
nectar drip over your lips
and down your chin

Why contain this
experience, the velvet
skin, the wet flesh

The fruit of summer
realized, the sweetness
and pleasure, stunning

Grosa & Nebulosa. Galaxy.

“We have to beware of the extent to which liberal individualism has actually been an assault on community… when the genuine staff of life is our interdependency, is our capacity to feel both with and for ourselves and other people.” –bell hooks

Interdependency

Oldest: “Mom, mom! You’ve got to come look at this moon!”

Youngest: “Mom, let’s dance to this song right here in the kitchen.”

Oldest: “i love you” “u r srsly weird”

Youngest: “don’t die”

Oldest: “goom, can you send me five gold dubloons for wendy’s?”

Youngest: “Hey, do you know where my hazmat suit is”

Peaches. Claude Monet. Staatliche Kunstsammlungen Dresden.