Celebrate

Timpanogos and Half Moon. Image, my own.

The Death

each stalk of grass
is hollow and barren
this time of year
skeletons of
viridescent pasts
like raw
leafless trees
memories of living
and of dying
the pulling back
the cocooning
of life in silent
night, darkness
chambers, interiors
of many plants and
animals teaches
us all about the
death and the
rebirth of life, light
so that we won’t
fully despair

Deer Creek. Image, my own.

The Return

the light
returns this morning
with the owls
they call
from tree to
branch, as sun

pinks surely
over the
charcoaled horizon
kilned through
night, and sealed in
the new, cold light

of this
winter morning
where I’m aghast
at the magic, memory
magnificence, majesty
transitive verb

of the whole
thing where I
am present
when the light
is seven minutes
old and each

photon graces
my retina with
the reminder
that the light
always returns
until it doesn’t

until the whole
sky is
bathed in numinous
halogenic possibility
the presence of
the now

as the light
returns
may we remember
the power of the
darkness
the importance

of slow, intentional
rest, the rejuvenating
properties of
sleep for a world
that simply needs
to listen to

the magic of the
intransitive verbs
of owls

Christmas Windmill. Image, my own.

Dark

Enfold me in your blackness,
I don’t want to be afraid of the dark
In fact, I want to embrace my shadow
Shadows of all that I thought would
Suck the marrow out of me, but instead
Offered me a respite, a resting place
A hallowed breath of solace and silence
Dark, the thing that so much incandescent
Luminosity is meant to fight, to ward off, as
Humanity wilts under all this light

Tamarisk and Gray Skies. Image, my own.

Space

Maybe the most surprising thing about poems is that they take a fair amount of space and time
The words are often all there, waiting on the lip, the tip of consciousness, but flow takes room
Takes open-ended realities, wide skies like altars in the arcing air, vast closenesses and distances
Which the heart contemplates, the healing place, the hell, the compassionate lengths to which a
Human will go to tell a truth, a peace, a playful nothing, a love, a life, a poem

The Road. Image, my own.

Don’t Die

when it began, I’m not quite sure,
but as of late my son has a new post
script for nearly every exchange,
“don’t die” he tells me as I start
the engine of the car, “don’t die”
he encourages as I head off to work
“don’t die” when the rain is falling
in sheets that darken each atom
of exposed earth, he must understand
something about the nature of life

Beloved and Time. Image, Aubreigh Parks.

Celebration

sometimes the celebration will be the growing of the light
minute by minute over the horizon, moment by moment
in our children’s eyes. Sometimes the celebration will be
the sleep, the forgetting, the separation and the longing
which brings deeper communion with the divine, the
place, the way, unsure, the path, the journey, one precious
step at a time. Sometimes the celebration will be the growing
of the self, the yearning, expanding, nearly cracking open of
your sternum with the enlarging, ever-beating heart, the lungs
full-burdened with life giving nitrogen plus oxygen, exhale the
heaviness and grief, inhale, close your eyes and let go

Timpanogos Sunrise. Image, my own.

Gather

Observatory. November 2024. Image, my own.

Gather

So here we gather
On this bright and
Dark day in the Fresh
World, to see if there
Is a turkey of love
Between us– siblings,
cousins, lovers, parents,
Friends. And there it
Is– LOVE– carved out
For us in some miracle
Since the creation of the
Cosmos scuttled us
All together on this blue-
Green blessing of a planet
Quantum journey, accidental
Adventure, maybe in another
Life we don’t know one another
We haven’t stood witness
To one another’s joy and
Pain. But here, now
We are the people we
Know and love because
Of particles of song shared
Between us, and mud
Fights on Thanksgivings
Long ago, and stories that
Have connected us all
Bringing us to this
Moment– to Gather to
Settle softly into miraculous
Gratitude. Thank you
I love you. Forgive me, I forgive
You. I love you. All love.

Art Center. November 2024. Image, my own.


Other Ghosts

So now there are other ghosts
The angels of the past have
Come to comfort and protect,
To bring peace and stability
I don’t know how I know, but
Others feel it too, they enter
They awe, I feel the ancestors
In the daily spirals of
My existence, the soil of
My backyard, the song of
The trees and birds in the
Ancient ash. Many others
feel them, too, and tell me
They are near, they are
Present. I know that I am
Not the only one who has
Ever been separated from
My alter, my shelter, my
Building, my dreams torn
For a vision of the future
I could not ascribe
I’m learning each day
That each ancient has
Been sent as a guide
The present and the
Beyond, they’ve become one

Fall-Winter Bridge. November 2024. Image, my own.

One

Of the most powerful
Things happened to me
And I can both be humane
And protect myself against
Smiling scoffs, unkind people
Who would make a mockery of
Pain, I am so glad that I can live
My life wild and free, I was
Given a second chance at
Love, at happiness
You too?
I will never take that for granted,
My joy– that joy will go on to
Fill me, myself, my people
And all the rivers of song

Community Garden. November 2024. Image, my own.

The “Last” Great Thanksgiving

That’s what the menu read
And then they were all gathered
In one place—humans—with the
Most similar genetic makeup of
Any group of sapiens on planet
Earth. Siblings. And it was good

Woods– lovely, light, dark, deep. November 2024. Image, my own.

Library

Cleo Rodgers Memorial Library, Columbus, Indiana; architect I.M. Pei, 1969. Photo ModArchitecture.

Concerto

i. Vivace
The Body and Brain create a near-constant concerto,
Orchestral ensemble that one piece of the body
May be tasked with– the soloist, for a moment–
The violin of your legs stands in the spotlight
Lifting the bow back, striking the perfect legato
When you lift each leg to strike the pedal: rising, falling,
Rising, falling, in perfect détaché, the synchrony,
Breathtaking, a veritable martelé, up and down,
Crescendoing, up and down, faster and faster,
Staccatos building as you climb that little kicker,
Beast of a hill, every note separate and distinct and
Purposeful and achingly beautiful, melody in movement

ii. Largo
The reality is that the soloist,
The part of the brain or body that is on display, is
Accompanied by an orchestra of other reactions,
Symphony, an entire production of body-brain actors
Breath increasing as you crest the top of the climb
Then wide, expansive sucks of air through your lungs as you
Descend, behind the soloist your legged
String instrument, a complex array of bodily musical
Tools, exchanges of sensory information via energy, chemicals,
Afferent and efferent neural fibers, we know this
But to experience it is so much more vivid, vibrant,
Actual art an afferent neuron gathering signals from

iii. Adagio
The skin like the finely tuned drumhead of the timpani
You’re pedaling along at a rapid pace and your
Neurons are sending each breeze that crests your
Quadricep, each flexion of your fingers as you
Reposition your palm to the vibration of your handlebars
You begin to really circle, pushing, leaning into the
Pedals with more and more force, lifting your
Foot up to keep time and pace with the peloton
This is where the sensory experience really
Begins to take off, you’re in the pace line driving
Your muscles pumping with blood, efferent signals,
Through the femoral profunda, spiccato of oxygen

iv. Finale
Feeding the whole quadricepal system: vastus medialis,
Vastus lateralis, vastus intermedius, and rectus femoris
Don’t forget the glutes, rich, ringing riot of
brain-body orchestration, molto crescendo
Coming in hot… finish line, and stop!

Ramón u Cajal, Neuron, Museo Nacional de Ciencias Naturales

Polyphonic Technicolor Synesthesia

this is how it feels to be in an autumn
wood at sunset, the entire mountain
set ablaze, a conflagration of color in
that warm waning light, each leaf in
stark relief to something visually near–
brittle topaz bark, white aspen trunk, every

sense housed in neon-rich sculptural portals
a magpie cackles from a scrub oak turning
amber its wings that look so black in flight
reflect a deep maxixe beryl,
oceanic opalescent contrast Paul Klee’s
Polyphic Setting for White

poets, mostly, long for synesthesia
so that they can produce that contrast
that catch of the craw between all worlds–
senses coming undone in an autumn
wood or at the very least they’d like to produce
it on the page, certainly the experience

might be so disconcerting as to be
horrible but if you could see autumn
lanced by a sunset or a taste a technicolor
leaf as it fell in a stream of wild wind,
maybe if you’re there long enough
in the woods, the colors begin to have

a particular flavor, like the brown dry leaves
of wyethia amplexicaulis, mule-ears become
tiramisu in the mushroom undergrowth
they take on a shape in your psyche
like a rhombus with the sun setting above
the far angle, always forty-five degrees

Michigan City Public Libaray, Michigan City, Illinois. Architect Helmut Jahn, 1977.

Thin

i do not know what
it is about now, every-
thing just feels papery
a little thin around the
edges, a little dry and
flat

Billings Public Library, Billings, Montana. Will Bruder Architects, 2013.

To Write a Poem

to write a poem
is a lot of staring out
of eyes through windows

Desert Air Motel, Sanderson, Texas. Built in 1960, restored, 2022.

Send Your Kids Weird Texts

Send your kids weird texts
Tell them that you’ll
Give them lunch money
If, when you are really
Old, almost gone, they
Will let you run your
Papery, age-spotted hand
Through the thicket
Of their hair
Make them pause
Question the sanity
Of your replies
Make them promise
So that your five bucks
Is paid forward in your
Elder years, it’ll be worth it
To give them a future
Imagination of how
Much you will
Always love them

Synesthesia as an Image, Public Domain.

Abandon All Solutions

One of my good friends
Heard this in a dream
Or in a wakened state
Where she was contacted
By the Universe,
So the advice wasn’t really
Given directly to me,
But it has come to mean
Everything

Lawrence Public Library, Lawrence, Kansas. Gould Evans Architects, design John Wilkins, 2014.

Epiphany

Four little poems for your day.
Happy, Merry sweet humans.
xx MM

Central Park bathed in sunshine (June 2024).

….

Flow

flow can be the essence of knowing
the power of prescience
the smell of petrichor
the smooth surface of an ocean
tossed pebble, translucent amber
the great wave of goodness
but flow can also
be the tumultuous spume,
the glassy, wind-bereft waters,
the deep, dark, depths
the void, the unknowing
don’t forget that flow has
many ways and many waves

….

Into the Green

There are more words,
expressions, descriptions of green
in human language than
are intoned for any other chroma

when you are draped in green
golded and guilded in green
it is completely obvious
why this hue

green captures the eye
grounds the heart
breaths through the body
as you realize that you’re respirating

at the same rate as the statuary oak
next to you
the ash is breathing out a sigh
of joy, just as you do

The cottonwood leaves glittering
green, making a magical cacophony
of nearly silent whispers which
crescendo into a forte of breezy, winsome refrains

aspen, largest living organism,
holding ground in root and spear as they
shiver and rattle in green all their own
a sort of awe and wonder at once

alluring, regenerative, stable, steady,
cholrophyllic music, all love-mixed
whimsy and reality each leaf a hard-earned
medallion, sign of life

….

Reverberation

It’s impossible to feel alone soaking in the reverberation of humanity ringing through the great halls of civilization. The echo. The sound. The deconstructed interplay of all those expressions and explications bouncing and bounding around in the domed, arched architecture. Dancing over the simulacra, art, massive and tiny, representative of nothing and everything. The absolute alacrity the beatific joy of each repercussive utterance. Jazz. A fusion of improvisational auditory stimuli. The resounding transcendence of humanity in the envelope of a space. Astonishing.

….

Tuesday

On a Tuesday
in December
Life will eventually
present you with the
fact that you have
absolutely no answers
not one

I don’t use that word
lightly—fact

On a Tuesday
in December,
You’ll be opened
wide by the love
of the people
who have offered
you a life raft,

A golden, glittering
net—a light, a torch.

You’ll come to
the understanding,
the conclusion,
that life brings
you many endings,
many beginnings
to teach you

that life has no
end no beginning

it simply is
this beautiful imperative
this open, pulsing
opportunity at love
that you will never
receive again, this moment
this is it

Oregon coast putting on a glorious show. (June 2023)

Letter to the Graduating Class of 2024: The Teacher-y Missive you were(n’t) Missing

The first rays of an orbital sunrise break through the Earth’s horizon. NASA iss066e099389 (Dec. 30, 2021)

Friends,

It’s certainly a gift that I feel I can use this moniker to describe each and every one of you. If you don’t feel like I’m your friend, will you please reserve that judgement for hallway talk? Or see me after class so that I can assure you of my care.

Here’s the thing, when you stepped through the doors of this classroom, somewhere around August 17th, 2023, I was already determined and committed to create a space where we can and could all safely explore concepts that require a fair amount of nuance and maturity.

But here is the other secret I happen to already have known: you have the prerequisites to be successful in this kind of open, thoughtful, argument-based inquiry and exploration. You see, everything, at its core, is an argument. Some arguments are petty—not worth engaging in. Some arguments are about cleaning toilets—your choice. But most arguments simply surround the differences of perspective, experience, and ways in which we’d like to control the world around us.

Now beyond argument, there is a field, and I’d like to call this field TRUTH. Many of the arguments we engage in as humans can be extrapolated into our desire to discover, uncover, find, know, and live in Truth. (Something I think is innate to our species.) And truth has taken a real beating in our society and culture as of late. As the information age and technological age have chaotically clashed and melded together, not unlike the birth of a new star, we have a constant stream of data that is both driven our way and so effortlessly accessible at the click of one key stroke or touch digit that we forget how far humanity has come on this examination of truth before you were even a gleam in your parent’s eyes. (You can google that idiom after class if you don’t know what I’m talking about.)

But if there is one thing I am certain of, it is that Truth with a capital T still exists. There is truth to be had and found in the world, and I hope that your research, your writing, your thinking and pondering on the subjects you have chosen this year (including your “self” in your personal narratives) have caused you to invest in this examination of the world with the intent to find truth. Don’t let the algorithm and the horrific car-crash videos you watch take that quest away from you. Don’t let AI rob you of the opportunity to figuratively bend the squishy matter we recognize as brain in coruscating synapses and ever-more lovely electrical exchanges of action-potential through your very own neurotransmitters. Use your sublime brain for your and humanity’s betterment. Promise me.

Things I have learned that don’t matter: being swoll or the hottest person in the room, being cool like above all comment because your persona gives off such a vibe or drip-and-smack that you are inaccessible (most of the time I’ve found that those who are “cool” often remain inaccessible to themselves); being “right”, this one is huge, and there is absolutely no honor in it. There isn’t one correct way to do things, and once you free yourself of this constraint you’ll live much more happily. And living too much in either retrospection—the nostalgia and glow of the past; or prospection—the lust and thirst for a future that hasn’t happened yet.

Live, my beautiful friends, with your eyes wide open in wonder. Live with your arms thrown apart ready to receive both the pain and the joy that life will bring you. Live so that you are constantly, even doggedly, learning more and evolving as a human every. single. day. Live the questions. (That’s Rilke. You can look it up, too.)

Now it’s all well and fine for me to offer you this “advice” but please don’t think I can even live the half of it myself. However, I’ve also learned that the more you practice these modes of living right here, right now, being present, sitting in the packet of time you’re fixed to and watching the experience unfold as you settle in– allowing you to determine how you can love more, reciprocate better, and evolve with grace, and seek that capital T truth– the better off you’ll be. In fact, the some of the best advice I’ve ever received comes from Lori McKenna’s song “Humble and Kind” from her album The Bird and the Riffle. (Also covered by Tim McGraw who is a little more famous.) She reminds, “When you get where you’re going, turn right back around. And help the next one in line. Always be humble and kind.” And then, just like that (snap), it’s gone. And you are moving on to the next moment, episode, or lesson that life offers.

Nothing can make a human feel more small and insignificant that taking just a moment to ponder on the infinite. Or the eventual dissolution of the infinite into entropy (still infinite, I believe). As the physicist and writer Alan Lightman, in his book, The Transcendent Brain, describes, “I believe that the spiritual experiences we have can arise from atoms and molecules. At the same time, some of these experiences, and certainly their very personal and subjective nature, cannot be fully understood in terms of atoms and molecules. I believe in the laws of chemistry and biology and physics — in fact, as a scientist I much admire those laws — but I don’t think they capture, or can capture, the first-person experience of making eye contact with wild animals and similar transcendent moments. Some human experiences are simply not reducible to zeros and ones.” There simply isn’t an algorithm that can capture the human experience.

One day this will all be gone, we will all be gone. Just like Macklemore says in his song (“Excavate”, Gemini). And there will be some kid in the hallways of Wasatch High School, like L. Daines who is looking for herself or himself in the sound of her/his music (also Macklemore), “Because music is a mirror…” Let’s not make our eventual death the reason we live. Instead, let’s live between these two great mysteries within whatever searing, glittering moments we’re presented with. And then turn and give our help, our hands, our brains, and our hearts to those other humans around us who make OUR world go round. That’s it. I think.

Once upon a time, I sat at the California Academy of Sciences in their astronomy hall underneath a false sky filled with tiny pin-prick light bulbs made to resemble stars, and listened to the smooth baritone of Tom Hanks narrate something like the advent of the Universe as though it was a nighttime story. Goodnight Moon, but better. When the camera moved from focus on our Milky Way Galaxy to an increasingly anamorphic lens, I, and the rest of the audience, could see that galaxy after galaxy after galaxy after galaxy… it really did appear to go on forever, infinitely.

Just like those galaxies, star upon infinite star, there are so many things that go into making up one single human person. The innumerable number of atoms, the constantly functioning systems. Just breathing, for heaven sakes, takes… do we know how many systems are engaged in one human breath? None of this has to matter to you. But I do hope that you’ll continue to put your best brain forward in every moment, every breath you are part of.

Today is one ending. You’re leaving, you’re out of here. But tomorrow, a new day will dawn. You’ll have the chance to gaze upon another sunrise. And if you’re not into that, to watch the death of another day as dusk moves us into night. Beautiful, either way. A new moment will rise, and you’ll be given opportunity after opportunity to make the most of your life. I hope you’ll take and treasure each one.

And when you realize that you’re rushing on, your attention is whacky and divided, or you’ve gotten trapped outside yourself and the road is dark and the path is winding, and you don’t know the way home, I hope you’ll consider thinking about the way/ways you can share your gifts with others to reorient your true heart. So I’m going to leave you with this poem. A gift from my true heart to yours. Don’t forget that for each end, there certainly is a new now. A gift of beginning.

The End From the Beginning

Endings, they definitely aren’t my favorite.
A bird in the hand… they claim.
I’m better if some things never change.
A feather in a vacuum, only acted on by gravity
Falls as fast as anything.
This fundamental of physics makes my head spin.
Like that janitor who left all of his fortune to the library where he shined the broken tiles day-in and day-out.
Here. Now.

Maybe this gift is just the beginning.

-MM