Library

Cleo Rodgers Memorial Library, Columbus, Indiana; architect I.M. Pei, 1969. Photo ModArchitecture.

Concerto

i. Vivace
The Body and Brain create a near-constant concerto,
Orchestral ensemble that one piece of the body
May be tasked with– the soloist, for a moment–
The violin of your legs stands in the spotlight
Lifting the bow back, striking the perfect legato
When you lift each leg to strike the pedal: rising, falling,
Rising, falling, in perfect détaché, the synchrony,
Breathtaking, a veritable martelé, up and down,
Crescendoing, up and down, faster and faster,
Staccatos building as you climb that little kicker,
Beast of a hill, every note separate and distinct and
Purposeful and achingly beautiful, melody in movement

ii. Largo
The reality is that the soloist,
The part of the brain or body that is on display, is
Accompanied by an orchestra of other reactions,
Symphony, an entire production of body-brain actors
Breath increasing as you crest the top of the climb
Then wide, expansive sucks of air through your lungs as you
Descend, behind the soloist your legged
String instrument, a complex array of bodily musical
Tools, exchanges of sensory information via energy, chemicals,
Afferent and efferent neural fibers, we know this
But to experience it is so much more vivid, vibrant,
Actual art an afferent neuron gathering signals from

iii. Adagio
The skin like the finely tuned drumhead of the timpani
You’re pedaling along at a rapid pace and your
Neurons are sending each breeze that crests your
Quadricep, each flexion of your fingers as you
Reposition your palm to the vibration of your handlebars
You begin to really circle, pushing, leaning into the
Pedals with more and more force, lifting your
Foot up to keep time and pace with the peloton
This is where the sensory experience really
Begins to take off, you’re in the pace line driving
Your muscles pumping with blood, efferent signals,
Through the femoral profunda, spiccato of oxygen

iv. Finale
Feeding the whole quadricepal system: vastus medialis,
Vastus lateralis, vastus intermedius, and rectus femoris
Don’t forget the glutes, rich, ringing riot of
brain-body orchestration, molto crescendo
Coming in hot… finish line, and stop!

Ramón u Cajal, Neuron, Museo Nacional de Ciencias Naturales

Polyphonic Technicolor Synesthesia

this is how it feels to be in an autumn
wood at sunset, the entire mountain
set ablaze, a conflagration of color in
that warm waning light, each leaf in
stark relief to something visually near–
brittle topaz bark, white aspen trunk, every

sense housed in neon-rich sculptural portals
a magpie cackles from a scrub oak turning
amber its wings that look so black in flight
reflect a deep maxixe beryl,
oceanic opalescent contrast Paul Klee’s
Polyphic Setting for White

poets, mostly, long for synesthesia
so that they can produce that contrast
that catch of the craw between all worlds–
senses coming undone in an autumn
wood or at the very least they’d like to produce
it on the page, certainly the experience

might be so disconcerting as to be
horrible but if you could see autumn
lanced by a sunset or a taste a technicolor
leaf as it fell in a stream of wild wind,
maybe if you’re there long enough
in the woods, the colors begin to have

a particular flavor, like the brown dry leaves
of wyethia amplexicaulis, mule-ears become
tiramisu in the mushroom undergrowth
they take on a shape in your psyche
like a rhombus with the sun setting above
the far angle, always forty-five degrees

Michigan City Public Libaray, Michigan City, Illinois. Architect Helmut Jahn, 1977.

Thin

i do not know what
it is about now, every-
thing just feels papery
a little thin around the
edges, a little dry and
flat

Billings Public Library, Billings, Montana. Will Bruder Architects, 2013.

To Write a Poem

to write a poem
is a lot of staring out
of eyes through windows

Desert Air Motel, Sanderson, Texas. Built in 1960, restored, 2022.

Send Your Kids Weird Texts

Send your kids weird texts
Tell them that you’ll
Give them lunch money
If, when you are really
Old, almost gone, they
Will let you run your
Papery, age-spotted hand
Through the thicket
Of their hair
Make them pause
Question the sanity
Of your replies
Make them promise
So that your five bucks
Is paid forward in your
Elder years, it’ll be worth it
To give them a future
Imagination of how
Much you will
Always love them

Synesthesia as an Image, Public Domain.

Abandon All Solutions

One of my good friends
Heard this in a dream
Or in a wakened state
Where she was contacted
By the Universe,
So the advice wasn’t really
Given directly to me,
But it has come to mean
Everything

Lawrence Public Library, Lawrence, Kansas. Gould Evans Architects, design John Wilkins, 2014.

Home

Autumn, overlooking Midway, Utah. Image, my own. September 2024.

Respiration

autumn of last year,
I found myself watching my babies
breath, in sleep, in dream

deep, cadenced pulls of oxygen
fueling all parts of their frames,
their beautiful hearts keeping time

children’s eyelashes soft, curled
the color of milk chocolate,
individuated so perfectly against the

delicate skin of their cheeks,
I wept as their chests rose and fell
at the joy of watching them breath

constant, paced, churning, these fist-sized
hearts, muscling, pushing life-giving nutrients
through their precious, peaceful forms

at night, it gave me peace,
the assurance that everything was
alright, the play of pulmonary veins filling

with nitrogen, argon, all mixed in with O2
being sent to the heart from the lungs
hearts filling the upper left atrium

the heart, house of refreshment, dispersing
the blood rich with food back into the body
through the lower left ventricle

this circle saved me, literally, again and again
imagining how the autonomic, metronomic
rhythms of the heart allowed them to rest

into dream, into sleep, into measured
breaths, into the rising of the inner
oceans, breathing peace

Brain, Lightbulb, Plush Chair. Image, my own. May 2024.

Hippocampus

When my students check out a book from the library
I often encourage them to make a bookmark
Any ratty scrap of paper will do, a plus if it is neon pink
We use this slip of paper to mark where we have
Read, where we are reading, where we have been,
Where we are going. The brilliant thing is that having
A placeholder, having a signpost, having a demarcation
To show how far you have come and how far you must go
Is another kind of marker. It is a memory marker. In print,
In pulpy bound cellulose and black ink, hold in your hand,
Sniff with your nose, the real goodness of paper is that
The brain creates even more memory pins for this
Medium. So now, you are reading a book, but your
Brain even remembers, memorizes, the geography
Of the page. Where did you see that perfect sentence,
At the top of page 67, How far into the book was the
Rising action, the falling sequence, your brain takes in the
Terrain of the page—the paragraph, the thickness of the
Pages you’ve consumed thus far, becomes another kind of
Topography. So intricately is our existence connected–
Touch, sight, smell, taste—all being remembered
Brain cells, neurons, communicating with each other
Regarding the climax of the story, through an elegant
Electrochemical system. A change in the electrical charge of
One cell as you read and integrate the signs and symbols
On the page into a larger story, triggers the release of
Chemicals called neurotransmitters across synapses.
The neurotransmitters are then taken up by dendrites of the
Neuron on the other side of the synapse where they
Trigger electrical changes in that cell. The geography
that print books, and bookmarks represent only strengthens
This circuit, a story arc sweeping into the hippocampus as a
Permanent resident in some synapse of your 100 billion neurons

Crane House Stained Glass. Image, my own. August 2024.

Heart
“So much held in a heart in a lifetime.” -Brian Doyle

I won’t ever be a surgeon
But sometimes I imagine a
heart beating in a human
under the purposeful glare of
a surgical lamp. And I
have a moment to inspect
this beautiful organ with
my own eyes as it pushes
blood throughout the body
I can visualize the thick membrane
of the ventricular septum–
lengthening and shortening in
precise time, the casing
which divides the right
and left heart, the chambers,
the heart walls, muscles,
really, that send the blood
coursing through your body
with constant contract-relax reflexes
a miracle with every beat

Jean-Michel Basquait, Tuxedo, 1983

Nervous System

I am trying to get my words wrapped around my autonomic nervous system
I am trying to describe how it feels to see a photo where I once existed and have been erased
I am trying to describe the pang, the thousand natural shocks that flesh is heir to
As Hamlet intoned, unlike Hamlet, I’m not trying to leave this life. Here’s my stab.

When I’m in fight or flight, it is harder for me to wrap my words around my nervous system.
It’s those moments when I could really just use a hug– skin to skin, arms enclosing
my body, keeping me safe and calm, a quilt. Instead, in flight I feel as though the
part of my body that is involved in the flying or fighting is nearly numbed, gone, absent

For example, if a man walks in on his wife making love to someone else, his brain, right behind
His eyes may become so activated that it feels as though a horse bucked his skull from the
Inside, like eating far too much pea-colored wasabi paste in one bite, which actually
happened to me, I’m sorry to return to sushi, but it was my first time, and BAM!

Right between the eyes, if I believe that I am being abandoned, left, discarded, my entire lower gut is activated with one million energy worms, I crawl with that nearly breathless, tingle that radiates
Through the rest of my body as I try to wrap my words around my nervous system for safety
But, in fact, I should probably lean in. Accept. Sit with it. Just the other day, when a pang really

Struck me, took me by surprise, in my solar plexus, and then the breath catching, the spin,
And the whole system, consciousness, in shock, straight from the amygdala, I thought, well good,
I think this gives me the chance to decide what comes next. The brain through the body gets
first dibs on the experience, but I am learning to quiet my reaction, trace the source

Of the shock, I am trying to get my words wrapped around my autonomic nervous system
And what I am telling you is that I am trying to describe how it feels, so that I can hijack my hypothalamus, but that is impossibly ridiculous, that my wish is that no will ever have to
feel this way again, which might be the end of our species, so let’s keep flying out of our bodies

Autumn, Wasatch Mountains, Image, my own. September 2024.

See

Have you ever watched someone learn something closely? With your raw, open eyes, irises spiked wide with color, this is where miracles lie. In my classroom, students flow in and out of the physical space all day. Water. But there are moments that transcend the quirky ephemera we plaster the walls to increase engagement. Air. Like the quiet that falls on the room when you discuss the concept that maybe Thomas Aquinas was right, and you could come face-to-face with the divine on the pages of an essay you read in English class. Mountain. Perhaps you witness the that burst of energy come across someone’s being when they lift the palm sander at the finish of the final face of the joinery for their rustic bureau in woods class, when the firing is finished in the pottery studio, when the piece of silver has been hammered to perfection. Fire. Those words and worlds and ways will always be part of your fiber, your sinew, your resilience, your learning in a sorrowful, beautiful world.

Ramón y Cajal, Cajal Institute, Madrid, Spain.



Peaches

Peaches. Farmer’s Market. by Quin Olpin. September 2024.

Benediction

Candlelight wavers in the silent brush of the ceiling fan
Night air sinks into currents of cool water brought up
From the little creek, the smell of river paired with even
More oxygen lifts and falls on a fleeting breeze, fresh and sweet

Whatever music and magic there is to be had in
The universe is happening right here inside my home
At my table, it happens in moments like these, in every
Pocket of the world tonight– right here, right now, breath easy

Big Dipper. Again and Forever. September 2024. Image, my own.

Horǎ

In dream, the night is thick
with cricket symphony
the grass stalks golden,
long and chilled in the
meadow, above the sentinel
oak the stars prick blackness
like reverse needle-work
intricate dance, flowing and fire,
thousands of light-years away
yet seemingly so near

The tent is simple and
the lashings have been tested
in a storm that whipped through
an hour ago, howling
at the white flaps of canvas,
smattering rain onto the party
but the air now returns to dark stillness.
Lanterns, re-lit, quiver
and sway in simple
atmospheric breaths

I hug my sister close,
smile at a friend across
the way, eyes connecting
and story-telling for just
an instant and then
I am physically
swept away, time suspends
its relentless snick, and
in that instant we spiral
as one

Limbs outstretched, grasping
and firm as we reach
for one another, smiles,
countenances as wide and
open and awed as galactic
arms around and around
We swirl in an ancient pattern
of love, mirrored in the heavens
templated by earth
and actioned by humans

Under the open-sky,
beneath the tent, midst
the lanterns, our heat
rising in healing, and
celebration, and joy,
an eschewance of hatred,
a ceremony of
transcendence and light
through the ages

Plexus no. 34. Gabriel Dawe. Amon Carter Museum, Austin, TX.

Peach

Oh. My. God. Let the sweet
nectar drip over your lips
and down your chin

Why contain this
experience, the velvet
skin, the wet flesh

The fruit of summer
realized, the sweetness
and pleasure, stunning

Grosa & Nebulosa. Galaxy.

“We have to beware of the extent to which liberal individualism has actually been an assault on community… when the genuine staff of life is our interdependency, is our capacity to feel both with and for ourselves and other people.” –bell hooks

Interdependency

Oldest: “Mom, mom! You’ve got to come look at this moon!”

Youngest: “Mom, let’s dance to this song right here in the kitchen.”

Oldest: “i love you” “u r srsly weird”

Youngest: “don’t die”

Oldest: “goom, can you send me five gold dubloons for wendy’s?”

Youngest: “Hey, do you know where my hazmat suit is”

Peaches. Claude Monet. Staatliche Kunstsammlungen Dresden.

Evolve

Scrub Oak in Transition, September 2024. Image, my own.

Autumn Equinox

there is this balance,
this even-keeled consciousness,
an equanimity of the breath
in the air this time of year,
the night and the day coming
into equilibrium, living and dying
reflected in the vegetation,
the need for both action and
rest, moving and pause, all
things in their time and space

Rubber Rabbitbrush, September 2024. Image, my own.

Evolve
-for the elders who’ve shone
a light along the way

I’ve been watching the course
of Life more closely as
I’ve neared ‘halfway’

I’m totally clear, I may die tomorrow
of a fungal infection brought
on by an errant hang nail

This year, I started to see
and understand some parts
about this journey called life,

Facets that had never been
open to me before,
that had never been revealed

In youth. I began to witness
the power of personal
human evolution.

I’m sure I’ve seen it displayed
previously, but now, it seemed
closer, more raw and real

The strength, the peace,
the solidarity, and grounding
that some humans

Offer themselves and others
when they choose to live
with their arms stretched

Up to the divine, when
they’re moving forward in
purpose while trusting the

Siren song of the universe
to guide them to good ends,
and over hard roads, too, don’t

Mistake. I don’t think that
living this evolution is simple
in any way. To allow the

Lessons that life has offered
you to be inculcated into
your core, this isn’t a flat

Path, rather peaks and valleys, I see
my mother who pursues her
passions like watercolor and arts

Grant writing without
prompting or celebration,
and steadily understands

what she loves, what she
holds dear and then lifts
up those elements of her

Life, tending to her own
garden of desire, she invests
her best self in her and us.

All I’m saying is that for a
very long time I felt completely
perplexed with the recipe of this

thing I was witnessing–
evolution– my septuagenarian
friends, were practicing this

Art of living with purpose, too,
with love and with a fair dose
of spicy ironic interjection

Swimming every day,
hiking all over the hills
and valleys of our home

They were another of my
sign-posts. And my uncle,
who spoke the eulogy at

My aunt’s celebration of
life, a woman who also
lived and gave her life over to joy,

He has also chosen
to live in the miracle of the
era of man, to let life

Be the ocean, the teacher, and
he became the student,
he’s allowed those learnings

To become part of him
in the way he loves his
children, the way he acts

In community, the way he carries
the knowing that life will always be
a question, a universal

Query that we can only answer
by living more truly, more soundly,
more surely in verity

To that Flame that was lit within
us at our birth, the miracle of
existence realized, we evolve

Lights. September 2024. Image, my own.

On Being

be who you are and
who you can be,
and meet those two
verities inside yourself
with loving kindness
and compassion and
let it be enough to
experience the joy
of living as you see fit
as you love yourself

Andrew Wyeth Grasses, September, 2024. Image, my own.

Steady in the Fall

the sun and moon
move into equilibrium
waxing crescent to quarter

peloton of geese ride high in
the wide blue sky, calling
and answering back, headed south

flowers still bloom, delicate violet
saturated yellow, vibrant magenta,
as grass fades, sepia to umber

fully bronze dragon fly the size of
a silver dollar flickers past in the sun
chased by a saxe blue fly the same size

grasshoppers bunch on mustard rabbitbrush
in the sway of breeze next to dark-chocolate
velvet cattails, stalks steeped in pond-water

cooper’s hawk cries from the brush
high and free like an alter ego
finding the next rodent in the undergrowth

the air takes on the rush and pulse
of crisp wind as the sun’s rays angle
longer, cooling field, flower, and fly

Paul Klee, Night Flowers.