Mare

“Astronomy for the use of schools and academies.” Joseph A. Gillett (1882)

Oceanus Procellarum

His eyes the hue of all Earth’s oceans tossed
In tumult (spume, spray) churn infinitely
Her heart, the oceans of the moon, ensconced
In basalt magma mares laid anciently
He senses love and feels it coursing through
Her ever-present depth, the seat of grief
Conditions both are now accustomed to
By life’s relentless quest to find relief
Yet, love and laughter fill their atmosphere
A world where they alone can live and be
It saves them from an epoch of disaster–
A home, a space, a place—this you and me
New woven in this moment learning how
Their love gives import to the here and now

Sunset over Utah Lake. (February 2025)

Sea of Scorpio

Darling, I haven’t yet told you
How beautiful your eyes are
Like the ocean’s depth, a sea
Moved by primordial currents, dark,
Yes, below the surface, but there
Beautiful, almost infinitesimal
Flecks of ochre, golden troves,
In the rippling rich blue that
Remind me of the entire universe
Contained in that chasm, which
Is to say soul, kelp ribbons
Amber stones, acorn barnacles,
Brittle stars brought to surface by
Maelstrom. Sign that all the
Depths you’ve fathomed where
You learned through excruciating
Joy and wracking gladness, an
Abyss rife with life and pain,
Eternal you, there laid bare
Inside your beautiful eyes

Sunrise over Timpanogos. (February 2025)

Mare

Oceans
Lakes
Basalt Planes
Pulled
Constantly
Moon’s
Gravity
Attraction

Heavenly
Bodies
Flow
Churn
Forever in
Blue and
Green
Earth

Ancient
Mare
Haunt
Remembering
Seas
Exist in
Every
Universe

Moonset. Full moon. (February 2025).

Celebrate

Timpanogos and Half Moon. Image, my own.

The Death

each stalk of grass
is hollow and barren
this time of year
skeletons of
viridescent pasts
like raw
leafless trees
memories of living
and of dying
the pulling back
the cocooning
of life in silent
night, darkness
chambers, interiors
of many plants and
animals teaches
us all about the
death and the
rebirth of life, light
so that we won’t
fully despair

Deer Creek. Image, my own.

The Return

the light
returns this morning
with the owls
they call
from tree to
branch, as sun

pinks surely
over the
charcoaled horizon
kilned through
night, and sealed in
the new, cold light

of this
winter morning
where I’m aghast
at the magic, memory
magnificence, majesty
transitive verb

of the whole
thing where I
am present
when the light
is seven minutes
old and each

photon graces
my retina with
the reminder
that the light
always returns
until it doesn’t

until the whole
sky is
bathed in numinous
halogenic possibility
the presence of
the now

as the light
returns
may we remember
the power of the
darkness
the importance

of slow, intentional
rest, the rejuvenating
properties of
sleep for a world
that simply needs
to listen to

the magic of the
intransitive verbs
of owls

Christmas Windmill. Image, my own.

Dark

Enfold me in your blackness,
I don’t want to be afraid of the dark
In fact, I want to embrace my shadow
Shadows of all that I thought would
Suck the marrow out of me, but instead
Offered me a respite, a resting place
A hallowed breath of solace and silence
Dark, the thing that so much incandescent
Luminosity is meant to fight, to ward off, as
Humanity wilts under all this light

Tamarisk and Gray Skies. Image, my own.

Space

Maybe the most surprising thing about poems is that they take a fair amount of space and time
The words are often all there, waiting on the lip, the tip of consciousness, but flow takes room
Takes open-ended realities, wide skies like altars in the arcing air, vast closenesses and distances
Which the heart contemplates, the healing place, the hell, the compassionate lengths to which a
Human will go to tell a truth, a peace, a playful nothing, a love, a life, a poem

The Road. Image, my own.

Don’t Die

when it began, I’m not quite sure,
but as of late my son has a new post
script for nearly every exchange,
“don’t die” he tells me as I start
the engine of the car, “don’t die”
he encourages as I head off to work
“don’t die” when the rain is falling
in sheets that darken each atom
of exposed earth, he must understand
something about the nature of life

Beloved and Time. Image, Aubreigh Parks.

Celebration

sometimes the celebration will be the growing of the light
minute by minute over the horizon, moment by moment
in our children’s eyes. Sometimes the celebration will be
the sleep, the forgetting, the separation and the longing
which brings deeper communion with the divine, the
place, the way, unsure, the path, the journey, one precious
step at a time. Sometimes the celebration will be the growing
of the self, the yearning, expanding, nearly cracking open of
your sternum with the enlarging, ever-beating heart, the lungs
full-burdened with life giving nitrogen plus oxygen, exhale the
heaviness and grief, inhale, close your eyes and let go

Timpanogos Sunrise. Image, my own.

Weave

Hoar Frost. December 2024. Image, my own.

Chancel

And now I bow
In the nave
I built with my
Own hands
A force of will
Maybe, and of
Hope, and strength
And love, and
Power, and good
Ness and weak
Ness and sacrifice
And longing and
Grief and beginning
I kneel before this
Altar to my dreams
Before I burn
It down, before
The doing and
Undoing pulse
Through my being
And there it is
Again, my knowing
In the unknowing
That this temple
This altar this
Divine expression
Must ignite, must
Burn, must be made
Into ash, and thereby
Made into everything
That comes after–
The garden, the
Synagogue, the holiest
Holy, of all the sacred
Spaces, filled with the
Breath, the Fire of the
Divine Universe intoned
In your throat, in your
Heart, in your center
Melted to make
Way for something New

Wintery walk. Image, my own.

Gift

Sometimes the memories
And myths that were woven
Into your childhood become
Magic again to your arcing
Soul. The songs that break
Forth in trumpets. The
Prayers that end in good
Tidings. The trees all
Dressed in snow and stars
Light against long December
Nights which beg gathering
And joy-filled repasts

Aspen and snow. Image, my own.

Roads Taken

Two roads diverged in a snowy wood
And knowingly, quiet and somber I stood,
looking out on the starry, moonlit way
then took the path that had already been trod

With careful foot-fall through the hoary frost,
after the ribbon of travelers who’d crossed
the fork in the road, the decision place
And rather than test the dark and the cold

I took the chance to walk along
where others had gone, and bend my care
instead to perceiving the moment, the present
The here, the now, the trees and the fences

I shall be telling this in an age
from maiden, to matron, to crone, to sage,
I took the road that many had paved
And made it my journey, anyway

Fern Frost. Photograph: Skip Via, West Valley Naturalists.

Braid

dark and light
strands of fermion
behavior spin
good
evil
if they
exist
tethered
whole
to the same
fate maybe
driving Dirac’s
trick
as truth
every particle
we are made of
even distantly
is woven, connected
to the cosmological
horizon, all tangled up,
simultaneously unspun
strand by strand into
infinity

Half Moon. Image, my own.

Nothing Like

Jupiter and the Pleiades. November. Northern Hemisphere. Image, my own.

Holocene

When the sky lifts, so lapis and milky blue,
Your ocular senses are overwhelmed
The owl calls out, into and through the pencil-
Sketched branches of the cottonwood, then
Down from the neighbor’s roof, as the golden

Sky continues to lift into day, a flat aquamarine
The stark lines of leafless branches against
The air stand beckoning, the promise and
Possibility of new– growth, change, revivification
Glittering diamonds of momentary snow still

Hold winter’s mystery. We do not know what
We will be when the new buds come, but only
What is– this moment, this tree, this
Possibility of everything, anything
Makes our heads spin and swim

Bounded by our humanness, mortality
Consequence, but dazzled by all that is
In us– the roads we’ve wandered, mountains
We’ve scaled, journeys taken and joyed over
And travailed. So much unknown

It still feels like the owl is a good omen
Round white face, deep open amber eyes, wide
And night-visioned, all the flecks and freckled feather
patterns of each wing spread against dawn and dusk
Gifts that portent deaths and lives to come

No Name Saloon. Park City. Image, my own.

Shoes

When your shoes wear
out
run like hell through
tulip fields
Take off
to the mountains
Climb every geologic
Formation
Just to
Prove
You’re alive
You can
You’re not dead… yet
You still want
To spend that
moment with the crickets
under night’s blackness
only the stars
know you’re there

When your shoes are
worn out
you take your daughter to
the gravel pit
and train
your camera lens
on the North Star
tripod so still
to prove
you know
where you are going
even though you
Don’t
you depress
the shutter
let the sky bleed in
for hours
and all you are left with
is time

No time left
But you have those
Shoes
to remind you
to keep you
on your journey
Home–
Through–
Around–
To–
To that time
When the cosmos
smudged its glory
across the lens of
your camera
Film
Still
the most sure sign
that the stars
will fall in
to center
North
Balance
bringing these stars
to you

Autumn Sunset. November 2024. Image, my own.

Question(s)

For all those who question:
Borders
Boundaries
Countries
Alliances
Allies
Friends
Enemies
Economies
Lovers
Children
Fools
Frauds
Race
Place
Faith

I love you

Winter Dandelion. Acrylic on heavyweight cotton paper. Margo Elizabeth Glass. 2024

Night Guide

When Ursa Major dips so low
In the Northern Hemisphere that
Only her two guiding stars are
Visible in the deep of darkness
Black, the seven sisters start to rise
Pleiades, in silent winter’s night as
Cassiopeia, queen, stands out above
The calm chill also pointing her way to our
Closest cosmic simulacrum Andromeda
The stars are there, uncaring and seemingly
Cold, distant even impossibly far, and yet
Known, seen, perceived though the crickets
Haven’t made a sound, the air, nearly
Incorporeal breaths of rest, sleep,
A thousand dreams take flight

Moon, Venus, Timpanogos. Image, Steve Olpin.

Peaches

Peaches. Farmer’s Market. by Quin Olpin. September 2024.

Benediction

Candlelight wavers in the silent brush of the ceiling fan
Night air sinks into currents of cool water brought up
From the little creek, the smell of river paired with even
More oxygen lifts and falls on a fleeting breeze, fresh and sweet

Whatever music and magic there is to be had in
The universe is happening right here inside my home
At my table, it happens in moments like these, in every
Pocket of the world tonight– right here, right now, breath easy

Big Dipper. Again and Forever. September 2024. Image, my own.

Horǎ

In dream, the night is thick
with cricket symphony
the grass stalks golden,
long and chilled in the
meadow, above the sentinel
oak the stars prick blackness
like reverse needle-work
intricate dance, flowing and fire,
thousands of light-years away
yet seemingly so near

The tent is simple and
the lashings have been tested
in a storm that whipped through
an hour ago, howling
at the white flaps of canvas,
smattering rain onto the party
but the air now returns to dark stillness.
Lanterns, re-lit, quiver
and sway in simple
atmospheric breaths

I hug my sister close,
smile at a friend across
the way, eyes connecting
and story-telling for just
an instant and then
I am physically
swept away, time suspends
its relentless snick, and
in that instant we spiral
as one

Limbs outstretched, grasping
and firm as we reach
for one another, smiles,
countenances as wide and
open and awed as galactic
arms around and around
We swirl in an ancient pattern
of love, mirrored in the heavens
templated by earth
and actioned by humans

Under the open-sky,
beneath the tent, midst
the lanterns, our heat
rising in healing, and
celebration, and joy,
an eschewance of hatred,
a ceremony of
transcendence and light
through the ages

Plexus no. 34. Gabriel Dawe. Amon Carter Museum, Austin, TX.

Peach

Oh. My. God. Let the sweet
nectar drip over your lips
and down your chin

Why contain this
experience, the velvet
skin, the wet flesh

The fruit of summer
realized, the sweetness
and pleasure, stunning

Grosa & Nebulosa. Galaxy.

“We have to beware of the extent to which liberal individualism has actually been an assault on community… when the genuine staff of life is our interdependency, is our capacity to feel both with and for ourselves and other people.” –bell hooks

Interdependency

Oldest: “Mom, mom! You’ve got to come look at this moon!”

Youngest: “Mom, let’s dance to this song right here in the kitchen.”

Oldest: “i love you” “u r srsly weird”

Youngest: “don’t die”

Oldest: “goom, can you send me five gold dubloons for wendy’s?”

Youngest: “Hey, do you know where my hazmat suit is”

Peaches. Claude Monet. Staatliche Kunstsammlungen Dresden.