Gather

Observatory. November 2024. Image, my own.

Gather

So here we gather
On this bright and
Dark day in the Fresh
World, to see if there
Is a turkey of love
Between us– siblings,
cousins, lovers, parents,
Friends. And there it
Is– LOVE– carved out
For us in some miracle
Since the creation of the
Cosmos scuttled us
All together on this blue-
Green blessing of a planet
Quantum journey, accidental
Adventure, maybe in another
Life we don’t know one another
We haven’t stood witness
To one another’s joy and
Pain. But here, now
We are the people we
Know and love because
Of particles of song shared
Between us, and mud
Fights on Thanksgivings
Long ago, and stories that
Have connected us all
Bringing us to this
Moment– to Gather to
Settle softly into miraculous
Gratitude. Thank you
I love you. Forgive me, I forgive
You. I love you. All love.

Art Center. November 2024. Image, my own.


Other Ghosts

So now there are other ghosts
The angels of the past have
Come to comfort and protect,
To bring peace and stability
I don’t know how I know, but
Others feel it too, they enter
They awe, I feel the ancestors
In the daily spirals of
My existence, the soil of
My backyard, the song of
The trees and birds in the
Ancient ash. Many others
feel them, too, and tell me
They are near, they are
Present. I know that I am
Not the only one who has
Ever been separated from
My alter, my shelter, my
Building, my dreams torn
For a vision of the future
I could not ascribe
I’m learning each day
That each ancient has
Been sent as a guide
The present and the
Beyond, they’ve become one

Fall-Winter Bridge. November 2024. Image, my own.

One

Of the most powerful
Things happened to me
And I can both be humane
And protect myself against
Smiling scoffs, unkind people
Who would make a mockery of
Pain, I am so glad that I can live
My life wild and free, I was
Given a second chance at
Love, at happiness
You too?
I will never take that for granted,
My joy– that joy will go on to
Fill me, myself, my people
And all the rivers of song

Community Garden. November 2024. Image, my own.

The “Last” Great Thanksgiving

That’s what the menu read
And then they were all gathered
In one place—humans—with the
Most similar genetic makeup of
Any group of sapiens on planet
Earth. Siblings. And it was good

Woods– lovely, light, dark, deep. November 2024. Image, my own.

Gold

Sunset. November. Image, my own.

Beethoven Era

Can you imagine?
Deafness where once was joyous
Sound
Blindness where once filtrations of color-filled light
Ricocheted
Can you imagine?
Losing everything?
If you are human, the guess is, yes
But why must pain catalyze all our understanding? Is it
Truly our only teacher? Isn’t the promise of
Death
Enough to cause us to cling to love, to
Life, to now, maybe not. So maybe we go deaf, blind,
Senseless
Into that good night, into the dark, waiting for
The dawn with breath so small we barely live, sore
Respiration
Reaction, all part of this existence when what we
Thought we wanted most is gone, dematerialized where
Reality is echoed and
Chambered
Oh heart, please, live, please drink the night and day as
A cup of bitter sweetness, lasting but a blink
A piano hammer in the abyss, hammer to string, string
bing, bing, ba-bing, go, boogie,
Be

Gold Nike Shoes. Oakland Museum of California. Image, my own.

Andante

It will never do to keep running
Into yourself if you can’t look up,
Ponder the path of the stars in
The night sky, gaze with longing
And new eyes, on the moon with
Rapture, take in the horizon each
Day and walk into a new lifetime

Light Bulb(s). Image, my own.

Honey

Honey, laughter and green curry are all the #soulfood
I need the joy of bright kaffir lime leaves charged into garlic
and simmered over vegetables, a meal to carry us
through the ages, a gale of fascist hail and bull shit, the
storm of the century is upon us, and all we can do is cook,
sing, and watch the moon as it rises high in the night,
silent observer of her earthly neighbors what a perplexity
what a tragedy, only for a moment, all mixed with joy and
delight, how will we last, how will we survive the fight
join it, gear up, only history knows on this very first calm
snowy night. We hunker in, we knit, we resist like life
depends on it because it does, resistance can be small
nearly silent until the way is clear and that same moon
swims overhead as the path is lit in the quiet dark

Moon. Image, my own.

Orb

In reality
In the body
Black and gray
White and blue
softest aura
Hazing purple
Bold broad
Moon the
Clouds opaled
All around
Stars and sky
Dappled through
and Through
Lord, Bless
Gratitude for
Ohs and glitters
Heavens and Earth
The glory of it
All that lone
Full Moon

Gold. Leaves. Fall. Trees. Image, my own.

Home

Autumn, overlooking Midway, Utah. Image, my own. September 2024.

Respiration

autumn of last year,
I found myself watching my babies
breath, in sleep, in dream

deep, cadenced pulls of oxygen
fueling all parts of their frames,
their beautiful hearts keeping time

children’s eyelashes soft, curled
the color of milk chocolate,
individuated so perfectly against the

delicate skin of their cheeks,
I wept as their chests rose and fell
at the joy of watching them breath

constant, paced, churning, these fist-sized
hearts, muscling, pushing life-giving nutrients
through their precious, peaceful forms

at night, it gave me peace,
the assurance that everything was
alright, the play of pulmonary veins filling

with nitrogen, argon, all mixed in with O2
being sent to the heart from the lungs
hearts filling the upper left atrium

the heart, house of refreshment, dispersing
the blood rich with food back into the body
through the lower left ventricle

this circle saved me, literally, again and again
imagining how the autonomic, metronomic
rhythms of the heart allowed them to rest

into dream, into sleep, into measured
breaths, into the rising of the inner
oceans, breathing peace

Brain, Lightbulb, Plush Chair. Image, my own. May 2024.

Hippocampus

When my students check out a book from the library
I often encourage them to make a bookmark
Any ratty scrap of paper will do, a plus if it is neon pink
We use this slip of paper to mark where we have
Read, where we are reading, where we have been,
Where we are going. The brilliant thing is that having
A placeholder, having a signpost, having a demarcation
To show how far you have come and how far you must go
Is another kind of marker. It is a memory marker. In print,
In pulpy bound cellulose and black ink, hold in your hand,
Sniff with your nose, the real goodness of paper is that
The brain creates even more memory pins for this
Medium. So now, you are reading a book, but your
Brain even remembers, memorizes, the geography
Of the page. Where did you see that perfect sentence,
At the top of page 67, How far into the book was the
Rising action, the falling sequence, your brain takes in the
Terrain of the page—the paragraph, the thickness of the
Pages you’ve consumed thus far, becomes another kind of
Topography. So intricately is our existence connected–
Touch, sight, smell, taste—all being remembered
Brain cells, neurons, communicating with each other
Regarding the climax of the story, through an elegant
Electrochemical system. A change in the electrical charge of
One cell as you read and integrate the signs and symbols
On the page into a larger story, triggers the release of
Chemicals called neurotransmitters across synapses.
The neurotransmitters are then taken up by dendrites of the
Neuron on the other side of the synapse where they
Trigger electrical changes in that cell. The geography
that print books, and bookmarks represent only strengthens
This circuit, a story arc sweeping into the hippocampus as a
Permanent resident in some synapse of your 100 billion neurons

Crane House Stained Glass. Image, my own. August 2024.

Heart
“So much held in a heart in a lifetime.” -Brian Doyle

I won’t ever be a surgeon
But sometimes I imagine a
heart beating in a human
under the purposeful glare of
a surgical lamp. And I
have a moment to inspect
this beautiful organ with
my own eyes as it pushes
blood throughout the body
I can visualize the thick membrane
of the ventricular septum–
lengthening and shortening in
precise time, the casing
which divides the right
and left heart, the chambers,
the heart walls, muscles,
really, that send the blood
coursing through your body
with constant contract-relax reflexes
a miracle with every beat

Jean-Michel Basquait, Tuxedo, 1983

Nervous System

I am trying to get my words wrapped around my autonomic nervous system
I am trying to describe how it feels to see a photo where I once existed and have been erased
I am trying to describe the pang, the thousand natural shocks that flesh is heir to
As Hamlet intoned, unlike Hamlet, I’m not trying to leave this life. Here’s my stab.

When I’m in fight or flight, it is harder for me to wrap my words around my nervous system.
It’s those moments when I could really just use a hug– skin to skin, arms enclosing
my body, keeping me safe and calm, a quilt. Instead, in flight I feel as though the
part of my body that is involved in the flying or fighting is nearly numbed, gone, absent

For example, if a man walks in on his wife making love to someone else, his brain, right behind
His eyes may become so activated that it feels as though a horse bucked his skull from the
Inside, like eating far too much pea-colored wasabi paste in one bite, which actually
happened to me, I’m sorry to return to sushi, but it was my first time, and BAM!

Right between the eyes, if I believe that I am being abandoned, left, discarded, my entire lower gut is activated with one million energy worms, I crawl with that nearly breathless, tingle that radiates
Through the rest of my body as I try to wrap my words around my nervous system for safety
But, in fact, I should probably lean in. Accept. Sit with it. Just the other day, when a pang really

Struck me, took me by surprise, in my solar plexus, and then the breath catching, the spin,
And the whole system, consciousness, in shock, straight from the amygdala, I thought, well good,
I think this gives me the chance to decide what comes next. The brain through the body gets
first dibs on the experience, but I am learning to quiet my reaction, trace the source

Of the shock, I am trying to get my words wrapped around my autonomic nervous system
And what I am telling you is that I am trying to describe how it feels, so that I can hijack my hypothalamus, but that is impossibly ridiculous, that my wish is that no will ever have to
feel this way again, which might be the end of our species, so let’s keep flying out of our bodies

Autumn, Wasatch Mountains, Image, my own. September 2024.

See

Have you ever watched someone learn something closely? With your raw, open eyes, irises spiked wide with color, this is where miracles lie. In my classroom, students flow in and out of the physical space all day. Water. But there are moments that transcend the quirky ephemera we plaster the walls to increase engagement. Air. Like the quiet that falls on the room when you discuss the concept that maybe Thomas Aquinas was right, and you could come face-to-face with the divine on the pages of an essay you read in English class. Mountain. Perhaps you witness the that burst of energy come across someone’s being when they lift the palm sander at the finish of the final face of the joinery for their rustic bureau in woods class, when the firing is finished in the pottery studio, when the piece of silver has been hammered to perfection. Fire. Those words and worlds and ways will always be part of your fiber, your sinew, your resilience, your learning in a sorrowful, beautiful world.

Ramón y Cajal, Cajal Institute, Madrid, Spain.



Reclamation

Greenhouse Damage, Hail Storm August 2024. Image, my own


Bill Murray

I remember the day I became Bill
My heart was breaking and I wanted
To save it, so I pulled it out through
The intercostal space between my ribs,
Right through the cage,
Careful not to catch it on my sternum
And I put my heart into a glass jar
Which I affixed around my neck with
A piece of twine, and I clamped the
Lid on tight and proceeded to live
To take baby steps
To walk around town
To ride the bus
Because I knew that if I could preserve
My heart
In that jar
I would make it
I would survive
My love would last
And others could see and understand
What heartbreak looks like
And how one lives through it
Now I understand about Bob,
“There are two types of people
In this world, those who love
Neil Diamond, and those who don’t”

Composition with Double Line [unfinished], Piet Mondrian

August

Something about August is begging to be paid attention. Be here as the gray storm gathers strength, the dark cumulonimbus clouds billow up to twenty-seven thousand feet, the hail batters the roof like an alien ice machine. Deluge. White pellets of rime nearly round and cuttingly hard tear through verdant gardens and iron city drains, pinking flower beds and translucent greenhouse roofs, pocking every possible piece of outdoor furniture and uncovered car hood.

Splatters of rain signal the reclamation of autumn as the scud clouds break from the shelf of the tumult over Mt. Wilson, tumbling as if they may make contact with the grocery store parking lot lines before turning into a fog that dissipates over the asphalt. The gale winds signal the return of fall in the rising apple-crisp air. Time asks if we’ll watch for a moment from the porch as another wind rollicks, racing through the pumpkin fields, wracking the sticky green vines against each other.

August asks if we can move so much more carefully, thoughtful of each precious moment through transition– lightning strike, cloud fall, thunder call. Glorious weathervanes snapping erratically this way then that, trying to keep up with the on-rushing squall. Can we pause and take in the smell of electricity like ozone and h2o, the brouhaha of late summer air. Drink it in.

Vøringfossen, Norway. July 2024. Image, Carrie Madsen

(Re)claim

the girl who ran in
dark canyons and
dry riverbeds when
she was young
she’s there
crunching gravel and
sagebrush under her
feet, up this next
steep incline to
the plains, the meadow
there in the stillness
a tiny creek burbles,
and a garden shed
appears with a low wind
chime, that girl,
she’s deep as a well
wide as an ocean
visceral and powerful
even then, in her
vulnerability, her desire
to love, she’ll find
that no one can
do that for her
love her like
she must love herself,
take that last sprint of the
trail right back home
reside inside herself

Evening Star, Georgia O’Keefe,

You Know

You know,
sometimes
as that little girl
bucktoothed
and freckled
you wanted
the come-up
cause you
believed
you deserved it

You know,
sometimes
you’re aware
that if you
get what you
ask for
everything
will change
again.
Like Alaska

you won’t
be able
to return
to the halcyon days
You know,
sometimes
you get caught
between your
growing and
your fragility

and, god, the
pain of it
can crush,
squeeze,
burn,
You know,
sometimes
everything gets
unstitched, unpicked
by the universe

and you’re reminded
that the old woman
at the end of the
world
must have needed
to tend her
soup
before it
scalded
she still needed

food, herself, she
still knew she
would be called upon
to (re)stich the
tapestry of earth
the raven unraveled
to feed the world,
to tend the soup,
we are her
magic and stories, too

Oregon Coast, August 2018. Image, my own.

Hope (and Fire)

Scientists used white plumes of steam like these to track lava from the 2010 Eyjafjallajökull eruption as it melted the glacier. Credit: BoawormCC BY 3.0

——-

——-

What will happen when there is no ice left in our house? What will the warming Earth mean for humans and animals? Now, nearly twenty years from some of my most intense life experiences, travel, and living in Alaska, I finally realize that the difficulty with this moment of continuing glacial recession is that it is so very difficult for humans to push past their one-hundred-year lifespans to see beyond to the systems that shape not only our now, but our future.

I’m the first to raise my hand and express that this kind of complex information is difficult for the lay-person to process. So how do we make science, scientific facts, and continued scientific hypothesis and discovery on climate change more bite sized, more commonplace, more palatable. The ignorant me doesn’t have a ready answer for this.

Will we overheat and roast as the seas engulf us before we grasp the stunning reality that we need to move from believing that humans can harness Earth and her resources rather than humanity taking more careful notes on how Earth regulates her own systems?

Are we at the 911 phase of this journey? I scarcely think anyone knows. This summer, 2024, has felt hotter than ever. However, feelings don’t really translate into hard scientific evidence. But my “feeling” is backed up by science. July 21, 2024 was the hottest day ever recorded on planet Earth.1

——-

Fanning the yellowed pages under my thumb, the book fell open easily in my hands to the front inside cover. Plastered under a handwritten note was a sticker of a galaxy spiraling in a sea of black, and under its outstretched arms were printed the words, “Ex Libris Kenneth A. Farnsworth.” From the library of my father. He had been the one who scrawled the message above the sticker, “Mom, with love and gratitude for turning me on to this ‘good stuff’.”

Tenderly, I traced the edges of the sticker, and drew my fingers across the fading ink. This small volume was an important relic from my grandmother’s life, a testament to her love of the written word, to the way she not only relished poetry and prose but had also passed this love on to her children and grandchildren. I thought that the book looked centuries old, an age cracked spine and what looked like a hand stitched binding were beginning to peel apart leaving bits of cheese cloth, paste, and leather showing in between.  The worn leather exterior bore the title, stamped in gold ink, One Hundred and One Famous Poems.  The copyright read Riely & Lee 1958.  I guess relic, old, and antique were relative terms. 

For instance, I had mistakenly assumed that ideas surrounding the greenhouse effect, and global warming were part of “new science,” or discoveries made recently relative to my lifetime. The reverse is true. Some of these calculations dated back over a century which makes them almost archaic in my humble perspective. Some of the poets in Grandma’s book– Dickinson, Browing, Emerson, Whitman, Longfellow, Wordsworth– had lived during the time when the first scientific theories about what is now termed the “natural greenhouse effect” were being developed. Englishman John Tyndall is credited with the discovery of greenhouse gases in 1859. He drew a simple comparison, “Just as a dam causes a local deepening of the stream, so our atmosphere, thrown as a barrier across the terrestrial rays, produces a local heightening of the temperature at the earth’s surface.”  This wasn’t new science it was old news.

On page 81, Lucy Larcom’s poem titled, “Plant A Tree,” sounded like a worthy credo for an early American environmentalist. She had died just one year before Swedish chemist Svante Arrhenius began testing his theories that coal burning was changing the character of earth’s atmosphere. Larcom wrote, “He who plants a tree… Plants a hope.”  In 1894, a year after Larcom’s death, Arrhenius hoped to determine the effect on earth’s climate in the unlikely event that greenhouse gases like carbon dioxide emitted from coal burning ever doubled. His conclusion: if the greenhouse gases doubled, earth’s temperature would rise.

So if basic climate science isn’t new, why has it taken such a long time for humans to perceive, address, or pay attention to these warnings from scientists? The answers are certainly multi-layered: the relatively short time-span of human life, the heated politicization of climate change, the fact that scientific knowledge is not based on speed but on thoughtful interrogation, the fact that we know that Earth has experienced many climate epochs and mass extinctions in its deep past. Climate scientists including glaciologists, often ask very specific questions of climatic change in very narrow systems. Another reason may be that it can be very difficult to determine when humans should intervene in their environment.

In fact, an article in The Atlantic2 this July, offers some insight and ideas about human intervention into glacial preservation, in short, geoengineering. Ross Anderson interviews Slawek Tulaczyk about his projects on Thwaites glacier in Greenland and on the Western Antarctic ice sheet where he has come to believe that one of the only ways that ice, and perhaps Earth, can be saved from ‘catastrophic’ sea-level rise is to give humans more time to grapple with climate change; therefore, Tulaczyk proposes that humans attempt to stop ice sheet from floeing. His hypothesis and process go well beyond all geoengineering feats that have been attempted on Earth this far. In lay terms, Tulaczyk suggests that we pump water out from underneath large glacial ice sheets in hopes that they will readhere to the underlying bedrock. Tulaczyk believes that humans could keep massive ice shelves intact, and in essence, keep them from separating, melting, and causing sea-level rise.

There on my bed, a weird quantum meeting took place. I imagined Robert Frost listening to these glaciologists, then returning home to send the Intergovernmental Panel on Climate Change (IPCC), President Jim Skea, these famous lines,

Fire, ice, ice, fire. From first-hand Northern climate immersion, I would still have to go with the first. I’d say fire.

Geldingadalagos, Eruption at Geldingadalir Iceland, 2006, credit: Mangus Johannsson

——

Two days after my grandmother’s funeral, my fingers brushed the soft sheen of one silk square of quilt. Bright mauve lilacs, butter daffodils, and blush sweet peas undulated across the small cubes of fabric. I drew a cubed piece of leopard print fabric to my nose, hoping to catch even a faint breath of her. A gaudy half-moon of colorful Klein blue silk shone in front of me masking the neutral brown tones of the living room carpet in my parents’ home in Duchesne, Utah.

She would have worn any one of these silk creations anywhere. That was the best part. Sure grandma had the shirts that were reserved for church, but it was just as common to find her out behind the house in the garden sweating under a wide blue sky, a broad brimmed straw hat, and a silk shirt splashed with brazen colors clashing in contrast to the hue of her pants. Perfectly garish.

My sisters and I quietly continued our work. Grabbing a shirt from the silky mound behind me, this one a deep emerald green I remembered how at Christmas she had once worn it with a pair earrings stuck through the collar her idea of “jazzing up” an ensemble. Ostentatious octogenarian that she was, we were cutting all of her shirts into quilt squares, though no one in the family, children or grandchildren, had ever made a quilt.

There were plenty of decisions surrounding her death that caused familial disagreement– her obituary, her headstone, her viewing. Most of these squabbles came from the amalgam of contrasting beliefs, values, views, and lifestyles manifest in her posterity. But everyone seemed to want to hold on to these shirts and other articles of clothing sometimes so threadbare, frayed, unraveling that only a few small quilt squares could be saved.

*(This is the latest in a series of essays here on Refined + Rugged. They include: Hope (Alaska), Hope (and Ice), Hope (and Earth), Hope (and Loss), Hope (and Love). I’m exploring what it means to be human in a time of unprecedented climate change. As the world warms, and humans begin and continue to adapt to these massive climate changes in our lifetime, what will this mean for our environment, our Earth, our children, and our grandchildren. As always, thank you for reading, commenting, liking, sharing, and generally pondering these questions with me. Love, Megan)

Death and Life, Gustav Klimt, 1910, Leopold Museum, Vienna, Austria. This “life” is comprised of all generations: every age group is represented, from the baby to the grandmother, in this depiction of the never-ending circle of life. The solitary, darkly dressed figure of death stands on the left.
  1. https://climate.copernicus.eu/new-record-daily-global-average-temperature-reached-july-2024#:~:text=The%20Earth%20has%20just%20experienced,C%20from%206%20July%202023. ↩︎
  2. https://www.theatlantic.com/magazine/archive/2024/07/nasa-nisar-mission-glaciers-sea-ice-thwaites/678522/ ↩︎