So here we gather On this bright and Dark day in the Fresh World, to see if there Is a turkey of love Between us– siblings, cousins, lovers, parents, Friends. And there it Is– LOVE– carved out For us in some miracle Since the creation of the Cosmos scuttled us All together on this blue- Green blessing of a planet Quantum journey, accidental Adventure, maybe in another Life we don’t know one another We haven’t stood witness To one another’s joy and Pain. But here, now We are the people we Know and love because Of particles of song shared Between us, and mud Fights on Thanksgivings Long ago, and stories that Have connected us all Bringing us to this Moment– to Gather to Settle softly into miraculous Gratitude. Thank you I love you. Forgive me, I forgive You. I love you. All love.
Art Center. November 2024. Image, my own.
Other Ghosts
So now there are other ghosts The angels of the past have Come to comfort and protect, To bring peace and stability I don’t know how I know, but Others feel it too, they enter They awe, I feel the ancestors In the daily spirals of My existence, the soil of My backyard, the song of The trees and birds in the Ancient ash. Many others feel them, too, and tell me They are near, they are Present. I know that I am Not the only one who has Ever been separated from My alter, my shelter, my Building, my dreams torn For a vision of the future I could not ascribe I’m learning each day That each ancient has Been sent as a guide The present and the Beyond, they’ve become one
Fall-Winter Bridge. November 2024. Image, my own.
One
Of the most powerful Things happened to me And I can both be humane And protect myself against Smiling scoffs, unkind people Who would make a mockery of Pain, I am so glad that I can live My life wild and free, I was Given a second chance at Love, at happiness You too? I will never take that for granted, My joy– that joy will go on to Fill me, myself, my people And all the rivers of song
Community Garden. November 2024. Image, my own.
The “Last” Great Thanksgiving
That’s what the menu read And then they were all gathered In one place—humans—with the Most similar genetic makeup of Any group of sapiens on planet Earth. Siblings. And it was good
Woods– lovely, light, dark, deep. November 2024. Image, my own.
Can you imagine? Deafness where once was joyous Sound Blindness where once filtrations of color-filled light Ricocheted Can you imagine? Losing everything? If you are human, the guess is, yes But why must pain catalyze all our understanding? Is it Truly our only teacher? Isn’t the promise of Death Enough to cause us to cling to love, to Life, to now, maybe not. So maybe we go deaf, blind, Senseless Into that good night, into the dark, waiting for The dawn with breath so small we barely live, sore Respiration Reaction, all part of this existence when what we Thought we wanted most is gone, dematerialized where Reality is echoed and Chambered Oh heart, please, live, please drink the night and day as A cup of bitter sweetness, lasting but a blink A piano hammer in the abyss, hammer to string, string bing, bing, ba-bing, go, boogie, Be
Gold Nike Shoes. Oakland Museum of California. Image, my own.
Andante
It will never do to keep running Into yourself if you can’t look up, Ponder the path of the stars in The night sky, gaze with longing And new eyes, on the moon with Rapture, take in the horizon each Day and walk into a new lifetime
Light Bulb(s). Image, my own.
Honey
Honey, laughter and green curry are all the #soulfood I need the joy of bright kaffir lime leaves charged into garlic and simmered over vegetables, a meal to carry us through the ages, a gale of fascist hail and bull shit, the storm of the century is upon us, and all we can do is cook, sing, and watch the moon as it rises high in the night, silent observer of her earthly neighbors what a perplexity what a tragedy, only for a moment, all mixed with joy and delight, how will we last, how will we survive the fight join it, gear up, only history knows on this very first calm snowy night. We hunker in, we knit, we resist like life depends on it because it does, resistance can be small nearly silent until the way is clear and that same moon swims overhead as the path is lit in the quiet dark
Moon. Image, my own.
Orb
In reality In the body Black and gray White and blue softest aura Hazing purple Bold broad Moon the Clouds opaled All around Stars and sky Dappled through and Through Lord, Bless Gratitude for Ohs and glitters Heavens and Earth The glory of it All that lone Full Moon
Autumn, overlooking Midway, Utah. Image, my own. September 2024.
Respiration
autumn of last year, I found myself watching my babies breath, in sleep, in dream
deep, cadenced pulls of oxygen fueling all parts of their frames, their beautiful hearts keeping time
children’s eyelashes soft, curled the color of milk chocolate, individuated so perfectly against the
delicate skin of their cheeks, I wept as their chests rose and fell at the joy of watching them breath
constant, paced, churning, these fist-sized hearts, muscling, pushing life-giving nutrients through their precious, peaceful forms
at night, it gave me peace, the assurance that everything was alright, the play of pulmonary veins filling
with nitrogen, argon, all mixed in with O2 being sent to the heart from the lungs hearts filling the upper left atrium
the heart, house of refreshment, dispersing the blood rich with food back into the body through the lower left ventricle
this circle saved me, literally, again and again imagining how the autonomic, metronomic rhythms of the heart allowed them to rest
into dream, into sleep, into measured breaths, into the rising of the inner oceans, breathing peace
Brain, Lightbulb, Plush Chair. Image, my own. May 2024.
Hippocampus
When my students check out a book from the library I often encourage them to make a bookmark Any ratty scrap of paper will do, a plus if it is neon pink We use this slip of paper to mark where we have Read, where we are reading, where we have been, Where we are going. The brilliant thing is that having A placeholder, having a signpost, having a demarcation To show how far you have come and how far you must go Is another kind of marker. It is a memory marker. In print, In pulpy bound cellulose and black ink, hold in your hand, Sniff with your nose, the real goodness of paper is that The brain creates even more memory pins for this Medium. So now, you are reading a book, but your Brain even remembers, memorizes, the geography Of the page. Where did you see that perfect sentence, At the top of page 67, How far into the book was the Rising action, the falling sequence, your brain takes in the Terrain of the page—the paragraph, the thickness of the Pages you’ve consumed thus far, becomes another kind of Topography. So intricately is our existence connected– Touch, sight, smell, taste—all being remembered Brain cells, neurons, communicating with each other Regarding the climax of the story, through an elegant Electrochemical system. A change in the electrical charge of One cell as you read and integrate the signs and symbols On the page into a larger story, triggers the release of Chemicals called neurotransmitters across synapses. The neurotransmitters are then taken up by dendrites of the Neuron on the other side of the synapse where they Trigger electrical changes in that cell. The geography that print books, and bookmarks represent only strengthens This circuit, a story arc sweeping into the hippocampus as a Permanent resident in some synapse of your 100 billion neurons
Crane House Stained Glass. Image, my own. August 2024.
Heart “So much held in a heart in a lifetime.” -Brian Doyle
I won’t ever be a surgeon But sometimes I imagine a heart beating in a human under the purposeful glare of a surgical lamp. And I have a moment to inspect this beautiful organ with my own eyes as it pushes blood throughout the body I can visualize the thick membrane of the ventricular septum– lengthening and shortening in precise time, the casing which divides the right and left heart, the chambers, the heart walls, muscles, really, that send the blood coursing through your body with constant contract-relax reflexes a miracle with every beat
Jean-Michel Basquait, Tuxedo, 1983
Nervous System
I am trying to get my words wrapped around my autonomic nervous system I am trying to describe how it feels to see a photo where I once existed and have been erased I am trying to describe the pang, the thousand natural shocks that flesh is heir to As Hamlet intoned, unlike Hamlet, I’m not trying to leave this life. Here’s my stab.
When I’m in fight or flight, it is harder for me to wrap my words around my nervous system. It’s those moments when I could really just use a hug– skin to skin, arms enclosing my body, keeping me safe and calm, a quilt. Instead, in flight I feel as though the part of my body that is involved in the flying or fighting is nearly numbed, gone, absent
For example, if a man walks in on his wife making love to someone else, his brain, right behind His eyes may become so activated that it feels as though a horse bucked his skull from the Inside, like eating far too much pea-colored wasabi paste in one bite, which actually happened to me, I’m sorry to return to sushi, but it was my first time, and BAM!
Right between the eyes, if I believe that I am being abandoned, left, discarded, my entire lower gut is activated with one million energy worms, I crawl with that nearly breathless, tingle that radiates Through the rest of my body as I try to wrap my words around my nervous system for safety But, in fact, I should probably lean in. Accept. Sit with it. Just the other day, when a pang really
Struck me, took me by surprise, in my solar plexus, and then the breath catching, the spin, And the whole system, consciousness, in shock, straight from the amygdala, I thought, well good, I think this gives me the chance to decide what comes next. The brain through the body gets first dibs on the experience, but I am learning to quiet my reaction, trace the source
Of the shock, I am trying to get my words wrapped around my autonomic nervous system And what I am telling you is that I am trying to describe how it feels, so that I can hijack my hypothalamus, but that is impossibly ridiculous, that my wish is that no will ever have to feel this way again, which might be the end of our species, so let’s keep flying out of our bodies
Autumn, Wasatch Mountains, Image, my own. September 2024.
See
Have you ever watched someone learn something closely? With your raw, open eyes, irises spiked wide with color, this is where miracles lie. In my classroom, students flow in and out of the physical space all day. Water. But there are moments that transcend the quirky ephemera we plaster the walls to increase engagement. Air. Like the quiet that falls on the room when you discuss the concept that maybe Thomas Aquinas was right, and you could come face-to-face with the divine on the pages of an essay you read in English class. Mountain. Perhaps you witness the that burst of energy come across someone’s being when they lift the palm sander at the finish of the final face of the joinery for their rustic bureau in woods class, when the firing is finished in the pottery studio, when the piece of silver has been hammered to perfection. Fire. Those words and worlds and ways will always be part of your fiber, your sinew, your resilience, your learning in a sorrowful, beautiful world.
Greenhouse Damage, Hail Storm August 2024. Image, my own
Bill Murray
I remember the day I became Bill My heart was breaking and I wanted To save it, so I pulled it out through The intercostal space between my ribs, Right through the cage, Careful not to catch it on my sternum And I put my heart into a glass jar Which I affixed around my neck with A piece of twine, and I clamped the Lid on tight and proceeded to live To take baby steps To walk around town To ride the bus Because I knew that if I could preserve My heart In that jar I would make it I would survive My love would last And others could see and understand What heartbreak looks like And how one lives through it Now I understand about Bob, “There are two types of people In this world, those who love Neil Diamond, and those who don’t”
Composition with Double Line [unfinished], Piet Mondrian
August
Something about August is begging to be paid attention. Be here as the gray storm gathers strength, the dark cumulonimbus clouds billow up to twenty-seven thousand feet, the hail batters the roof like an alien ice machine. Deluge. White pellets of rime nearly round and cuttingly hard tear through verdant gardens and iron city drains, pinking flower beds and translucent greenhouse roofs, pocking every possible piece of outdoor furniture and uncovered car hood.
Splatters of rain signal the reclamation of autumn as the scud clouds break from the shelf of the tumult over Mt. Wilson, tumbling as if they may make contact with the grocery store parking lot lines before turning into a fog that dissipates over the asphalt. The gale winds signal the return of fall in the rising apple-crisp air. Time asks if we’ll watch for a moment from the porch as another wind rollicks, racing through the pumpkin fields, wracking the sticky green vines against each other.
August asks if we can move so much more carefully, thoughtful of each precious moment through transition– lightning strike, cloud fall, thunder call. Glorious weathervanes snapping erratically this way then that, trying to keep up with the on-rushing squall. Can we pause and take in the smell of electricity like ozone and h2o, the brouhaha of late summer air. Drink it in.
Vøringfossen, Norway. July 2024. Image, Carrie Madsen
(Re)claim
the girl who ran in dark canyons and dry riverbeds when she was young she’s there crunching gravel and sagebrush under her feet, up this next steep incline to the plains, the meadow there in the stillness a tiny creek burbles, and a garden shed appears with a low wind chime, that girl, she’s deep as a well wide as an ocean visceral and powerful even then, in her vulnerability, her desire to love, she’ll find that no one can do that for her love her like she must love herself, take that last sprint of the trail right back home reside inside herself
Evening Star, Georgia O’Keefe,
You Know
You know, sometimes as that little girl bucktoothed and freckled you wanted the come-up cause you believed you deserved it
You know, sometimes you’re aware that if you get what you ask for everything will change again. Like Alaska
you won’t be able to return to the halcyon days You know, sometimes you get caught between your growing and your fragility
and, god, the pain of it can crush, squeeze, burn, You know, sometimes everything gets unstitched, unpicked by the universe
and you’re reminded that the old woman at the end of the world must have needed to tend her soup before it scalded she still needed
food, herself, she still knew she would be called upon to (re)stich the tapestry of earth the raven unraveled to feed the world, to tend the soup, we are her magic and stories, too
Scientists used white plumes of steam like these to track lava from the 2010 Eyjafjallajökull eruption as it melted the glacier. Credit: Boaworm, CC BY 3.0
——-
Eschatology by Megan Dickson
Life took us to the edge of the known universe
this brink, this precipice, on a red dirt plateau, all rust-verged and jagged, like a tear in heart tissue, like broken bone projecting through soft skin.
skin, bone, sinew often don’t break cleanly so there, on that terrifying cliff, we looked out into the blackness and saw that it was our own
dotted with infinite, swirling stars, nebulous arms of our galaxy, folded across that night, that nothing. we realized the instant we stepped to the fathomless limit
all the light we carried in our core could somehow save us, from this end. So into the starry, inky ebony we leapt, being careful to be sure that we crossed over the boundary between
everything we’d known, into every night we’d ever feverishly dreamed. this jump, this real act of self-preservation flung us into
the heart of the unknown cosmos and there we were to greet ourselves at the gates of our unknowing. we opened the tiny, golden latch on the
impossibly large, swinging metalwork gate, stepped slowly, quietly over the threshold of revelation, everything open and waiting for us in that pitchy gloam still had
to be sensed– felt, touched, tasted, smelled– not physically, but by the fingers of the formerly known soul that now bore this greater knowing. this
was not the end but the beginning. a larger excursus on the limitless infinite than we had previously known. we’ll never know if there
was only one way to this beginning– the ledge, the leap, the jump– our tiny, finite, blink of a guess gives us the idea that, no, there are
many precipices, many pinnacles, many paths to the infinite edges of the unknown into new reaches of galactic consciousness– seeing and knowing more than we
could possibly have imagined yesterday
——-
What will happen when there is no ice left in our house? What will the warming Earth mean for humans and animals? Now, nearly twenty years from some of my most intense life experiences, travel, and living in Alaska, I finally realize that the difficulty with this moment of continuing glacial recession is that it is so very difficult for humans to push past their one-hundred-year lifespans to see beyond to the systems that shape not only our now, but our future.
I’m the first to raise my hand and express that this kind of complex information is difficult for the lay-person to process. So how do we make science, scientific facts, and continued scientific hypothesis and discovery on climate change more bite sized, more commonplace, more palatable. The ignorant me doesn’t have a ready answer for this.
Will we overheat and roast as the seas engulf us before we grasp the stunning reality that we need to move from believing that humans can harness Earth and her resources rather than humanity taking more careful notes on how Earth regulates her own systems?
Are we at the 911 phase of this journey? I scarcely think anyone knows. This summer, 2024, has felt hotter than ever. However, feelings don’t really translate into hard scientific evidence. But my “feeling” is backed up by science. July 21, 2024 was the hottest day ever recorded on planet Earth.1
——-
Fanning the yellowed pages under my thumb, the book fell open easily in my hands to the front inside cover. Plastered under a handwritten note was a sticker of a galaxy spiraling in a sea of black, and under its outstretched arms were printed the words, “Ex Libris Kenneth A. Farnsworth.” From the library of my father. He had been the one who scrawled the message above the sticker, “Mom, with love and gratitude for turning me on to this ‘good stuff’.”
Tenderly, I traced the edges of the sticker, and drew my fingers across the fading ink. This small volume was an important relic from my grandmother’s life, a testament to her love of the written word, to the way she not only relished poetry and prose but had also passed this love on to her children and grandchildren. I thought that the book looked centuries old, an age cracked spine and what looked like a hand stitched binding were beginning to peel apart leaving bits of cheese cloth, paste, and leather showing in between. The worn leather exterior bore the title, stamped in gold ink, One Hundred and One Famous Poems. The copyright read Riely & Lee 1958. I guess relic, old, and antique were relative terms.
For instance, I had mistakenly assumed that ideas surrounding the greenhouse effect, and global warming were part of “new science,” or discoveries made recently relative to my lifetime. The reverse is true. Some of these calculations dated back over a century which makes them almost archaic in my humble perspective. Some of the poets in Grandma’s book– Dickinson, Browing, Emerson, Whitman, Longfellow, Wordsworth– had lived during the time when the first scientific theories about what is now termed the “natural greenhouse effect” were being developed. Englishman John Tyndall is credited with the discovery of greenhouse gases in 1859. He drew a simple comparison, “Just as a dam causes a local deepening of the stream, so our atmosphere, thrown as a barrier across the terrestrial rays, produces a local heightening of the temperature at the earth’s surface.” This wasn’t new science it was old news.
On page 81, Lucy Larcom’s poem titled, “Plant A Tree,” sounded like a worthy credo for an early American environmentalist. She had died just one year before Swedish chemist Svante Arrhenius began testing his theories that coal burning was changing the character of earth’s atmosphere. Larcom wrote, “He who plants a tree… Plants a hope.” In 1894, a year after Larcom’s death, Arrhenius hoped to determine the effect on earth’s climate in the unlikely event that greenhouse gases like carbon dioxide emitted from coal burning ever doubled. His conclusion: if the greenhouse gases doubled, earth’s temperature would rise.
So if basic climate science isn’t new, why has it taken such a long time for humans to perceive, address, or pay attention to these warnings from scientists? The answers are certainly multi-layered: the relatively short time-span of human life, the heated politicization of climate change, the fact that scientific knowledge is not based on speed but on thoughtful interrogation, the fact that we know that Earth has experienced many climate epochs and mass extinctions in its deep past. Climate scientists including glaciologists, often ask very specific questions of climatic change in very narrow systems. Another reason may be that it can be very difficult to determine when humans should intervene in their environment.
In fact, an article in The Atlantic2 this July, offers some insight and ideas about human intervention into glacial preservation, in short, geoengineering. Ross Anderson interviews Slawek Tulaczyk about his projects on Thwaites glacier in Greenland and on the Western Antarctic ice sheet where he has come to believe that one of the only ways that ice, and perhaps Earth, can be saved from ‘catastrophic’ sea-level rise is to give humans more time to grapple with climate change; therefore, Tulaczyk proposes that humans attempt to stop ice sheet from floeing. His hypothesis and process go well beyond all geoengineering feats that have been attempted on Earth this far. In lay terms, Tulaczyk suggests that we pump water out from underneath large glacial ice sheets in hopes that they will readhere to the underlying bedrock. Tulaczyk believes that humans could keep massive ice shelves intact, and in essence, keep them from separating, melting, and causing sea-level rise.
There on my bed, a weird quantum meeting took place. I imagined Robert Frost listening to these glaciologists, then returning home to send the Intergovernmental Panel on Climate Change (IPCC), President Jim Skea, these famous lines,
SOME say the world will end in fire,
Some say in Ice.
From what I’ve tasted of desire
I hold with those who favor fire.
But if it had to perish twice,
I think I know enough of hate
To know that for destruction ice
Is also great
And would suffice.
Fire, ice, ice, fire. From first-hand Northern climate immersion, I would still have to go with the first. I’d say fire.
Geldingadalagos, Eruption at Geldingadalir Iceland, 2006, credit: Mangus Johannsson
——
Two days after my grandmother’s funeral, my fingers brushed the soft sheen of one silk square of quilt. Bright mauve lilacs, butter daffodils, and blush sweet peas undulated across the small cubes of fabric. I drew a cubed piece of leopard print fabric to my nose, hoping to catch even a faint breath of her. A gaudy half-moon of colorful Klein blue silk shone in front of me masking the neutral brown tones of the living room carpet in my parents’ home in Duchesne, Utah.
She would have worn any one of these silk creations anywhere. That was the best part. Sure grandma had the shirts that were reserved for church, but it was just as common to find her out behind the house in the garden sweating under a wide blue sky, a broad brimmed straw hat, and a silk shirt splashed with brazen colors clashing in contrast to the hue of her pants. Perfectly garish.
My sisters and I quietly continued our work. Grabbing a shirt from the silky mound behind me, this one a deep emerald green I remembered how at Christmas she had once worn it with a pair earrings stuck through the collar her idea of “jazzing up” an ensemble. Ostentatious octogenarian that she was, we were cutting all of her shirts into quilt squares, though no one in the family, children or grandchildren, had ever made a quilt.
There were plenty of decisions surrounding her death that caused familial disagreement– her obituary, her headstone, her viewing. Most of these squabbles came from the amalgam of contrasting beliefs, values, views, and lifestyles manifest in her posterity. But everyone seemed to want to hold on to these shirts and other articles of clothing sometimes so threadbare, frayed, unraveling that only a few small quilt squares could be saved.
*(This is the latest in a series of essays here on Refined + Rugged. They include: Hope (Alaska), Hope (and Ice), Hope (and Earth), Hope (and Loss), Hope (and Love). I’m exploring what it means to be human in a time of unprecedented climate change. As the world warms, and humans begin and continue to adapt to these massive climate changes in our lifetime, what will this mean for our environment, our Earth, our children, and our grandchildren. As always, thank you for reading, commenting, liking, sharing, and generally pondering these questions with me. Love, Megan)
Death and Life, Gustav Klimt, 1910, Leopold Museum, Vienna, Austria. This “life” is comprised of all generations: every age group is represented, from the baby to the grandmother, in this depiction of the never-ending circle of life. The solitary, darkly dressed figure of death stands on the left.