Harvest

Timpanogos, Autumn 2025. Image, my own.

Autumn Pi

Rain on desert ears has the
Nostalgic ring of ancient
Canyons, striae revealed

In layers of eras, reality
Visible over eons where
Water knew its way.

Maybe we’ll wake
Tomorrow, the hot sun
Returned to its high autumn

Zenith, symptom of the
Sickness humans have
Inflicted on everything

Natural around them–
Trees, air, water, animals
Earth’s great oceans all

Poisoned with plastic,
Suffocated, hexed in
Chemicals, save us

From ourselves, our
Hubris and our short-
Sighted nature

Perhaps it is only the
Infinite that keeps me
Sane these days, makes

Me whole, returns me
To my place between
Stars and atomic particles

Sun-burnished sandstone and
Outer space, reminding me
With all our furious machinations

Good and ill, humans have never
Found a round number for Pi,
The circumference of the universe

“My Business is Circumference” Emily Dickinson

Season changing clouds, October 2025. Image, my own.

Plastic

Driving into the ever-early sunset,
East, city streets, wet from rain

moments ago, just passed,
In the waning light

Street lamps begin to wink on
A turkey vulture rides a thermal

High above the traffic light, black, 
Feathery, flighty, I’m surprised

To see such a bird here,
Metropoli, humanity, all scrummed

Together in ever-growing towers
Towns, I look away from the bird

To the arrowed light, dictating a
Turn, the bird takes another

Breeze, it’s moving on to
Other climes, no, there is

No bird. The black specter,
An airborne plastic bag

Autumn in the Wasatch Mountains, 2025. Image, my own.

Paper

A fearless paper
Advocate, let decay the very
Lines I hold so dear

Autumn in the Wasatch Mountains, 2025. Image, my own.

Mare

“Astronomy for the use of schools and academies.” Joseph A. Gillett (1882)

Oceanus Procellarum

His eyes the hue of all Earth’s oceans tossed
In tumult (spume, spray) churn infinitely
Her heart, the oceans of the moon, ensconced
In basalt magma mares laid anciently
He senses love and feels it coursing through
Her ever-present depth, the seat of grief
Conditions both are now accustomed to
By life’s relentless quest to find relief
Yet, love and laughter fill their atmosphere
A world where they alone can live and be
It saves them from an epoch of disaster–
A home, a space, a place—this you and me
New woven in this moment learning how
Their love gives import to the here and now

Sunset over Utah Lake. (February 2025)

Sea of Scorpio

Darling, I haven’t yet told you
How beautiful your eyes are
Like the ocean’s depth, a sea
Moved by primordial currents, dark,
Yes, below the surface, but there
Beautiful, almost infinitesimal
Flecks of ochre, golden troves,
In the rippling rich blue that
Remind me of the entire universe
Contained in that chasm, which
Is to say soul, kelp ribbons
Amber stones, acorn barnacles,
Brittle stars brought to surface by
Maelstrom. Sign that all the
Depths you’ve fathomed where
You learned through excruciating
Joy and wracking gladness, an
Abyss rife with life and pain,
Eternal you, there laid bare
Inside your beautiful eyes

Sunrise over Timpanogos. (February 2025)

Mare

Oceans
Lakes
Basalt Planes
Pulled
Constantly
Moon’s
Gravity
Attraction

Heavenly
Bodies
Flow
Churn
Forever in
Blue and
Green
Earth

Ancient
Mare
Haunt
Remembering
Seas
Exist in
Every
Universe

Moonset. Full moon. (February 2025).

Celebrate

Timpanogos and Half Moon. Image, my own.

The Death

each stalk of grass
is hollow and barren
this time of year
skeletons of
viridescent pasts
like raw
leafless trees
memories of living
and of dying
the pulling back
the cocooning
of life in silent
night, darkness
chambers, interiors
of many plants and
animals teaches
us all about the
death and the
rebirth of life, light
so that we won’t
fully despair

Deer Creek. Image, my own.

The Return

the light
returns this morning
with the owls
they call
from tree to
branch, as sun

pinks surely
over the
charcoaled horizon
kilned through
night, and sealed in
the new, cold light

of this
winter morning
where I’m aghast
at the magic, memory
magnificence, majesty
transitive verb

of the whole
thing where I
am present
when the light
is seven minutes
old and each

photon graces
my retina with
the reminder
that the light
always returns
until it doesn’t

until the whole
sky is
bathed in numinous
halogenic possibility
the presence of
the now

as the light
returns
may we remember
the power of the
darkness
the importance

of slow, intentional
rest, the rejuvenating
properties of
sleep for a world
that simply needs
to listen to

the magic of the
intransitive verbs
of owls

Christmas Windmill. Image, my own.

Dark

Enfold me in your blackness,
I don’t want to be afraid of the dark
In fact, I want to embrace my shadow
Shadows of all that I thought would
Suck the marrow out of me, but instead
Offered me a respite, a resting place
A hallowed breath of solace and silence
Dark, the thing that so much incandescent
Luminosity is meant to fight, to ward off, as
Humanity wilts under all this light

Tamarisk and Gray Skies. Image, my own.

Space

Maybe the most surprising thing about poems is that they take a fair amount of space and time
The words are often all there, waiting on the lip, the tip of consciousness, but flow takes room
Takes open-ended realities, wide skies like altars in the arcing air, vast closenesses and distances
Which the heart contemplates, the healing place, the hell, the compassionate lengths to which a
Human will go to tell a truth, a peace, a playful nothing, a love, a life, a poem

The Road. Image, my own.

Don’t Die

when it began, I’m not quite sure,
but as of late my son has a new post
script for nearly every exchange,
“don’t die” he tells me as I start
the engine of the car, “don’t die”
he encourages as I head off to work
“don’t die” when the rain is falling
in sheets that darken each atom
of exposed earth, he must understand
something about the nature of life

Beloved and Time. Image, Aubreigh Parks.

Celebration

sometimes the celebration will be the growing of the light
minute by minute over the horizon, moment by moment
in our children’s eyes. Sometimes the celebration will be
the sleep, the forgetting, the separation and the longing
which brings deeper communion with the divine, the
place, the way, unsure, the path, the journey, one precious
step at a time. Sometimes the celebration will be the growing
of the self, the yearning, expanding, nearly cracking open of
your sternum with the enlarging, ever-beating heart, the lungs
full-burdened with life giving nitrogen plus oxygen, exhale the
heaviness and grief, inhale, close your eyes and let go

Timpanogos Sunrise. Image, my own.

Weave

Hoar Frost. December 2024. Image, my own.

Chancel

And now I bow
In the nave
I built with my
Own hands
A force of will
Maybe, and of
Hope, and strength
And love, and
Power, and good
Ness and weak
Ness and sacrifice
And longing and
Grief and beginning
I kneel before this
Altar to my dreams
Before I burn
It down, before
The doing and
Undoing pulse
Through my being
And there it is
Again, my knowing
In the unknowing
That this temple
This altar this
Divine expression
Must ignite, must
Burn, must be made
Into ash, and thereby
Made into everything
That comes after–
The garden, the
Synagogue, the holiest
Holy, of all the sacred
Spaces, filled with the
Breath, the Fire of the
Divine Universe intoned
In your throat, in your
Heart, in your center
Melted to make
Way for something New

Wintery walk. Image, my own.

Gift

Sometimes the memories
And myths that were woven
Into your childhood become
Magic again to your arcing
Soul. The songs that break
Forth in trumpets. The
Prayers that end in good
Tidings. The trees all
Dressed in snow and stars
Light against long December
Nights which beg gathering
And joy-filled repasts

Aspen and snow. Image, my own.

Roads Taken

Two roads diverged in a snowy wood
And knowingly, quiet and somber I stood,
looking out on the starry, moonlit way
then took the path that had already been trod

With careful foot-fall through the hoary frost,
after the ribbon of travelers who’d crossed
the fork in the road, the decision place
And rather than test the dark and the cold

I took the chance to walk along
where others had gone, and bend my care
instead to perceiving the moment, the present
The here, the now, the trees and the fences

I shall be telling this in an age
from maiden, to matron, to crone, to sage,
I took the road that many had paved
And made it my journey, anyway

Fern Frost. Photograph: Skip Via, West Valley Naturalists.

Braid

dark and light
strands of fermion
behavior spin
good
evil
if they
exist
tethered
whole
to the same
fate maybe
driving Dirac’s
trick
as truth
every particle
we are made of
even distantly
is woven, connected
to the cosmological
horizon, all tangled up,
simultaneously unspun
strand by strand into
infinity

Half Moon. Image, my own.

Journey

Trees in sun. Image, my own.

Hecate

A torche glitters in her hand, a brightly whishing brand lighting the ways– a choice,
the path you take, the path you don’t, all paths you leave behind– they are
equally lighted by her candle, paths you can see now and will never be

revealed again, in the flickering breath the shadows cast into the recessed
flume, the light loses its brilliance, the gravel of the third way spooled out along
the straighter path, and the second road banking darkly into the far side of some

gray and dusty landscape which even the brighted stars cannot now expose,
So what does this goddess of the dark night and her burning wooden beam
divine, does the curve of her hip signal some portent, message of direction,

no, the way, the path, the journey will not be signaled by another, you
must choose, you must contemplate, intuit, and define your bounds
your path will be yours, after all, your own, so you must own your choice

wavering again, the flame whispers from some fate-wind ahead, some
ancient breath of the beyond, you grip the paper of your healing in your
pocket and take one long breath, exhaled in the rising chill, a mist

spurled ahead, looking up into the star-strewn night the weight of the
choice comes softly on the shoulders of the traveler, an unseen cloak,
take a small but firm step toward the flume, the future

Canemah Bluff Nature Park. Oregon. Image, my own.

Clay

Molded and molding,
shaping, shifting, pressure,
smooth tension, long lines
a steady firmness, spirit of
water, sunlight, earth,
release, become

New Moon Amulet. December 2024. Image, my own.

Talisman

Can any thing be magic?
Any blob of gold or
Pressing of silver, can
An object, an item, a
Pinecone or umber fleck of
Bark be imbued with
Power or general chemistry
That brings transmutational
Ability, alchemy, divination

Canemah Bluff Nature Park. Oregon. Image, my own.

Some grief never leaves

And I know this because of arthritis
Some grief is permanent, the relationship
With a parent that you’ll never have, the
Child who never entered your life, the
Star that never rose in its proper place
There will be some things that leave
Mortally permanent scars, situations
Which will never be shifted into
Redemptive tales. Some scars
Will ever be with us to remind us
How pain and grief bring understanding
Gained in no other way,

Starlight street at night. Fukuōji Kazuhiko.

Journey

It began to ring true
Several steps from where
The grief began, the opening
of the way, the continued rock
and slosh of the water
Eyes opened on a world
And existence that was nothing
Like what tiny kernel of promise
In life began as. Nothing like
the seed of the idea of the life
you thought you’d live, the
contrast was searing and startling
at first. But then, by gradual
degrees, it became whole,
sound, founded, and sacred
opportunity