Nothing Like

November 24, 2024November 24, 2024 | Megan

Jupiter and the Pleiades. November. Northern Hemisphere. Image, my own.

Holocene

When the sky lifts, so lapis and milky blue,
Your ocular senses are overwhelmed
The owl calls out, into and through the pencil-
Sketched branches of the cottonwood, then
Down from the neighbor’s roof, as the golden

Sky continues to lift into day, a flat aquamarine
The stark lines of leafless branches against
The air stand beckoning, the promise and
Possibility of new– growth, change, revivification
Glittering diamonds of momentary snow still

Hold winter’s mystery. We do not know what
We will be when the new buds come, but only
What is– this moment, this tree, this
Possibility of everything, anything
Makes our heads spin and swim

Bounded by our humanness, mortality
Consequence, but dazzled by all that is
In us– the roads we’ve wandered, mountains
We’ve scaled, journeys taken and joyed over
And travailed. So much unknown

It still feels like the owl is a good omen
Round white face, deep open amber eyes, wide
And night-visioned, all the flecks and freckled feather
patterns of each wing spread against dawn and dusk
Gifts that portent deaths and lives to come

No Name Saloon. Park City. Image, my own.

Shoes

When your shoes wear
out
run like hell through
tulip fields
Take off
to the mountains
Climb every geologic
Formation
Just to
Prove
You’re alive
You can
You’re not dead… yet
You still want
To spend that
moment with the crickets
under night’s blackness
only the stars
know you’re there

When your shoes are
worn out
you take your daughter to
the gravel pit
and train
your camera lens
on the North Star
tripod so still
to prove
you know
where you are going
even though you
Don’t
you depress
the shutter
let the sky bleed in
for hours
and all you are left with
is time

No time left
But you have those
Shoes
to remind you
to keep you
on your journey
Home–
Through–
Around–
To–
To that time
When the cosmos
smudged its glory
across the lens of
your camera
Film
Still
the most sure sign
that the stars
will fall in
to center
North
Balance
bringing these stars
to you

Autumn Sunset. November 2024. Image, my own.

Question(s)

For all those who question:
Borders
Boundaries
Countries
Alliances
Allies
Friends
Enemies
Economies
Lovers
Children
Fools
Frauds
Race
Place
Faith

I love you

Winter Dandelion. Acrylic on heavyweight cotton paper. Margo Elizabeth Glass. 2024

Night Guide

When Ursa Major dips so low
In the Northern Hemisphere that
Only her two guiding stars are
Visible in the deep of darkness
Black, the seven sisters start to rise
Pleiades, in silent winter’s night as
Cassiopeia, queen, stands out above
The calm chill also pointing her way to our
Closest cosmic simulacrum Andromeda
The stars are there, uncaring and seemingly
Cold, distant even impossibly far, and yet
Known, seen, perceived though the crickets
Haven’t made a sound, the air, nearly
Incorporeal breaths of rest, sleep,
A thousand dreams take flight

Moon, Venus, Timpanogos. Image, Steve Olpin.

Gold

November 19, 2024November 22, 2024 | Megan

Beethoven Era

Can you imagine?
Deafness where once was joyous
Sound
Blindness where once filtrations of color-filled light
Ricocheted
Can you imagine?
Losing everything?
If you are human, the guess is, yes
But why must pain catalyze all our understanding? Is it
Truly our only teacher? Isn’t the promise of
Death
Enough to cause us to cling to love, to
Life, to now, maybe not. So maybe we go deaf, blind,
Senseless
Into that good night, into the dark, waiting for
The dawn with breath so small we barely live, sore
Respiration
Reaction, all part of this existence when what we
Thought we wanted most is gone, dematerialized where
Reality is echoed and
Chambered
Oh heart, please, live, please drink the night and day as
A cup of bitter sweetness, lasting but a blink
A piano hammer in the abyss, hammer to string, string
bing, bing, ba-bing, go, boogie,
Be

Gold Nike Shoes. Oakland Museum of California. Image, my own.

Andante

It will never do to keep running
Into yourself if you can’t look up,
Ponder the path of the stars in
The night sky, gaze with longing
And new eyes, on the moon with
Rapture, take in the horizon each
Day and walk into a new lifetime

Honey

Honey, laughter and green curry are all the #soulfood
I need the joy of bright kaffir lime leaves charged into garlic
and simmered over vegetables, a meal to carry us
through the ages, a gale of fascist hail and bull shit, the
storm of the century is upon us, and all we can do is cook,
sing, and watch the moon as it rises high in the night,
silent observer of her earthly neighbors what a perplexity
what a tragedy, only for a moment, all mixed with joy and
delight, how will we last, how will we survive the fight
join it, gear up, only history knows on this very first calm
snowy night. We hunker in, we knit, we resist like life
depends on it because it does, resistance can be small
nearly silent until the way is clear and that same moon
swims overhead as the path is lit in the quiet dark

Orb

In reality
In the body
Black and gray
White and blue
softest aura
Hazing purple
Bold broad
Moon the
Clouds opaled
All around
Stars and sky
Dappled through
and Through
Lord, Bless
Gratitude for
Ohs and glitters
Heavens and Earth
The glory of it
All that lone
Full Moon

Gold. Leaves. Fall. Trees. Image, my own.

Air

October 17, 2024October 18, 2024 | Megan

Stairs to the Coast. Oregon. Image, my own.

October Bowery

when fall begins to crystalize, like any change,
the first real storm front moves in,
the leaves which scudded about yesterday
are frozen to the sidewalk, gathering in
browning-yellow scrolls, little edicts of
what is to come, they thaw and scatter
again across streams and gullies where
the thin water still wants to feed the living
thing before being silenced in ice, or
leave monochrome sepias on pavement,
the Hunter’s moon, high and bright illumines
the grass, reedy wisps along the midnight walk,
the dusty path where the air cools, snappy,
crisp, that breath of winter’s coming, flora seized
red in its death, clinging to branch and vine,
each day more dried and dead, ruffled and flurried
by immediate breezes, sounding like Japanese
paper fanfared by a round and excited toddler,
portents of the next season soon to fall
in golden droplets of summer’s dreams
the ocher aspen leaves, in sheets and
flakes of fiery autumn light dazzling and
freshly disconnected from their source right
before they meet the dust and decompose

Sun, Sky, Beach, Life. Oregon Coast. Image, my own.

Strength

Growing is a season of its own, one of loving kindness rooted in faith
one of far-seeing vastness, while standing in sacred spaces. For whatever waves,
winds, and ways that will ever-continue to toss and take their course, stand
in your gifts and rest in fullness, plentitude. Delight in bounty and abundance.
Move from ire to the rich roundness of the good in all living things–
circles of true compassion and empathy which connect all creation– human,
animal, plant, living, all animate with atoms as the entire universe speaks the
soundness of its existence, the tenor of being, the voice of living and the lived

Ocean, Tide, Tree, Coast. Oregon. Image, my own.

Point

when i am in my
brain and heart i realize this
is the goddamn point

Conscious Living

What is it to be alive?
In the rich, abundant world
A sterling jay’s deeply
Decked sapphire feathers
crested head
nestled in the magnolia bush
outside my window
the air as thick as dew,
yet moving as if on an
unheard music suspended
by the wind’s unseen breath

and ocean spume, spurl, churn
TO be part of Earth’s respiration
tide, current, wave, flow, coast
where Earth’s breath meets
land-sand, rock, tree, stone
every piece of physical
particulate of the confirmation
of all alive and breathing
beings, being moved
smoothed, rocked, waved, rolled
over and over in the sea’s bosom

Stones and Seal Carcass. Oregon Coast. Image, my own.

Ocean

I used to think I wasn’t an ocean
person. But these rocky, cliffy,
craggy knobs of sea-shorn trees,
smooth stones and crusty conglomerates
crab shells, jelly-fish skeletons, strips of
kelp carcass, and clings of driftwood
really wrap me into the rhythm of
the tide

Magic. Foam, mist, spume, churl, splutter. Oregon, Coast. Image, my own.

Know

I know what I am
doing, I don’t know any
thing other than that

I don’t know what I’m
doing, I don’t know any
thing other than that

Rock, Tide, Rush. Oregon Coast. Image, my own.

October

October 9, 2024October 14, 2024 | Megan

Snake Creek with a Rainbow. Image, my own.

Beautiful Boy

In my line of work,
I get to see things
And hear things
That many people do not,
Will not, see and hear
Personal narrative: a genre
Used to tell one’s story
To put your truth into
The World, tell your
Life to the Universe
Of all living things
To say, to see,
To be seen
To listen
These are very tender
Moments—actions, braveries
Moves—today a young man
Quietly said to his classmates
Boys want to be Beautiful
Too, boys want to be
Given flowers and trust
And the opportunity,
To be Vulnerable
Boys want to
Be seen and soft
And before you scoff
Please know that to put
Eyes on this young man
He was “normal”
Which doesn’t exit
But he wasn’t some standout
He wasn’t crying to be
Noticed in a needy, cloying
Way he was sincere
Brown eyes shining
And serious, he said again,
Boys want to break down
Boys want to be treasured
And saved, and tendered
Boys are complex and
Layered, multi-faceted
And so easily shattered
So easily loved
Beautiful boy

Melt:
for the hottest October on record

things melt like banana
popsicles on hot sidewalks

hearts at the cuddle of
a tender puppy’s nuzzle

sun as it sherberts into sunset,
dreamy scoops of carnelian, fuchsia, crimson

water being sublimated into
sediment, becoming sludgy mud

metal silver when heated to one thou-
sand seven hundred and sixty-three degrees

falsity as you live in truth in the world
as it is, not as you wish it to be

light refracted and gloriously dispersed
through water into the entire color spectrum

butter bubbling, sizzling in the fry
pan in anticipation of the next repast

bodies into one another, warm
with the savior-vivre of desire

Sitting in Cars with Moms

Listening to music with abandon, shake it
Hearing a favorite podcast in a vacuum, rapt
Slumping over the steering wheel, emergency
Crying, tears pouring down cheeks, salty
Praying as if there is no tomorrow, apocalypse
Laughing raucously with a friend on the line
Changing the ka-billgionth diaper on the seat
Resting the eyes at the thought of dinner, cook
Wanting for a touch a hug a support, embrace
Kicking back the seat for a true nap, snooze
Reading a book while a child is at music lessons
Waiting for babies in the carpool line, patient
Scanning a prescription before returning to sickness
Sipping a drink in silence while ruminating,
Pondering the existential crises of humankind
Yodeling to an Oktoberfest hit, hot 100
Brushing back the hair, mustering a smile, love

Hope Feathered in Me Today

Rose like an owl in the dark
of night. Off on an important
measure. A simple key into what is
Take no more than you give.

On this day we celebrate
The now— the moment— what is
As it is what we have to celebrate
Looking into the moon-face of our children

Listening to their dreams. Holding
a lover after a frozen lamp-lit tramp
Into the pitch-dark night
Drawing lines across a page,

A stone, a landscape to remember
Each leaf outlined, sepia veins,
Each intricate brace of existence a
Falling into one another– hope

Library

September 28, 2024September 30, 2024 | Megan

Concerto

i. Vivace
The Body and Brain create a near-constant concerto,
Orchestral ensemble that one piece of the body
May be tasked with– the soloist, for a moment–
The violin of your legs stands in the spotlight
Lifting the bow back, striking the perfect legato
When you lift each leg to strike the pedal: rising, falling,
Rising, falling, in perfect détaché, the synchrony,
Breathtaking, a veritable martelé, up and down,
Crescendoing, up and down, faster and faster,
Staccatos building as you climb that little kicker,
Beast of a hill, every note separate and distinct and
Purposeful and achingly beautiful, melody in movement

ii. Largo
The reality is that the soloist,
The part of the brain or body that is on display, is
Accompanied by an orchestra of other reactions,
Symphony, an entire production of body-brain actors
Breath increasing as you crest the top of the climb
Then wide, expansive sucks of air through your lungs as you
Descend, behind the soloist your legged
String instrument, a complex array of bodily musical
Tools, exchanges of sensory information via energy, chemicals,
Afferent and efferent neural fibers, we know this
But to experience it is so much more vivid, vibrant,
Actual art an afferent neuron gathering signals from

iii. Adagio
The skin like the finely tuned drumhead of the timpani
You’re pedaling along at a rapid pace and your
Neurons are sending each breeze that crests your
Quadricep, each flexion of your fingers as you
Reposition your palm to the vibration of your handlebars
You begin to really circle, pushing, leaning into the
Pedals with more and more force, lifting your
Foot up to keep time and pace with the peloton
This is where the sensory experience really
Begins to take off, you’re in the pace line driving
Your muscles pumping with blood, efferent signals,
Through the femoral profunda, spiccato of oxygen

iv. Finale
Feeding the whole quadricepal system: vastus medialis,
Vastus lateralis, vastus intermedius, and rectus femoris
Don’t forget the glutes, rich, ringing riot of
brain-body orchestration, molto crescendo
Coming in hot… finish line, and stop!

Ramón u Cajal, Neuron, Museo Nacional de Ciencias Naturales

Polyphonic Technicolor Synesthesia

this is how it feels to be in an autumn
wood at sunset, the entire mountain
set ablaze, a conflagration of color in
that warm waning light, each leaf in
stark relief to something visually near–
brittle topaz bark, white aspen trunk, every

sense housed in neon-rich sculptural portals
a magpie cackles from a scrub oak turning
amber its wings that look so black in flight
reflect a deep maxixe beryl,
oceanic opalescent contrast Paul Klee’s
Polyphic Setting for White

poets, mostly, long for synesthesia
so that they can produce that contrast
that catch of the craw between all worlds–
senses coming undone in an autumn
wood or at the very least they’d like to produce
it on the page, certainly the experience

might be so disconcerting as to be
horrible but if you could see autumn
lanced by a sunset or a taste a technicolor
leaf as it fell in a stream of wild wind,
maybe if you’re there long enough
in the woods, the colors begin to have

a particular flavor, like the brown dry leaves
of wyethia amplexicaulis, mule-ears become
tiramisu in the mushroom undergrowth
they take on a shape in your psyche
like a rhombus with the sun setting above
the far angle, always forty-five degrees

Michigan City Public Libaray, Michigan City, Illinois. Architect Helmut Jahn, 1977.

Thin

i do not know what
it is about now, every-
thing just feels papery
a little thin around the
edges, a little dry and
flat

Billings Public Library, Billings, Montana. Will Bruder Architects, 2013.

To Write a Poem

to write a poem
is a lot of staring out
of eyes through windows

Desert Air Motel, Sanderson, Texas. Built in 1960, restored, 2022.

Send Your Kids Weird Texts

Send your kids weird texts
Tell them that you’ll
Give them lunch money
If, when you are really
Old, almost gone, they
Will let you run your
Papery, age-spotted hand
Through the thicket
Of their hair
Make them pause
Question the sanity
Of your replies
Make them promise
So that your five bucks
Is paid forward in your
Elder years, it’ll be worth it
To give them a future
Imagination of how
Much you will
Always love them

Abandon All Solutions

One of my good friends
Heard this in a dream
Or in a wakened state
Where she was contacted
By the Universe,
So the advice wasn’t really
Given directly to me,
But it has come to mean
Everything