Journey

Trees in sun. Image, my own.

Hecate

A torche glitters in her hand, a brightly whishing brand lighting the ways– a choice,
the path you take, the path you don’t, all paths you leave behind– they are
equally lighted by her candle, paths you can see now and will never be

revealed again, in the flickering breath the shadows cast into the recessed
flume, the light loses its brilliance, the gravel of the third way spooled out along
the straighter path, and the second road banking darkly into the far side of some

gray and dusty landscape which even the brighted stars cannot now expose,
So what does this goddess of the dark night and her burning wooden beam
divine, does the curve of her hip signal some portent, message of direction,

no, the way, the path, the journey will not be signaled by another, you
must choose, you must contemplate, intuit, and define your bounds
your path will be yours, after all, your own, so you must own your choice

wavering again, the flame whispers from some fate-wind ahead, some
ancient breath of the beyond, you grip the paper of your healing in your
pocket and take one long breath, exhaled in the rising chill, a mist

spurled ahead, looking up into the star-strewn night the weight of the
choice comes softly on the shoulders of the traveler, an unseen cloak,
take a small but firm step toward the flume, the future

Canemah Bluff Nature Park. Oregon. Image, my own.

Clay

Molded and molding,
shaping, shifting, pressure,
smooth tension, long lines
a steady firmness, spirit of
water, sunlight, earth,
release, become

New Moon Amulet. December 2024. Image, my own.

Talisman

Can any thing be magic?
Any blob of gold or
Pressing of silver, can
An object, an item, a
Pinecone or umber fleck of
Bark be imbued with
Power or general chemistry
That brings transmutational
Ability, alchemy, divination

Canemah Bluff Nature Park. Oregon. Image, my own.

Some grief never leaves

And I know this because of arthritis
Some grief is permanent, the relationship
With a parent that you’ll never have, the
Child who never entered your life, the
Star that never rose in its proper place
There will be some things that leave
Mortally permanent scars, situations
Which will never be shifted into
Redemptive tales. Some scars
Will ever be with us to remind us
How pain and grief bring understanding
Gained in no other way,

Starlight street at night. Fukuōji Kazuhiko.

Journey

It began to ring true
Several steps from where
The grief began, the opening
of the way, the continued rock
and slosh of the water
Eyes opened on a world
And existence that was nothing
Like what tiny kernel of promise
In life began as. Nothing like
the seed of the idea of the life
you thought you’d live, the
contrast was searing and startling
at first. But then, by gradual
degrees, it became whole,
sound, founded, and sacred
opportunity

Sense

Poppies, West Yellowstone, 2021. Image, my own.

Hunger

I won’t make it. He said. With a seriousness beyond seventeen. I’ll seize up. Freeze.
I won’t be able to crawl on the ground to the escape exit, to climb the bookshelf
To project myself through the ‘hypothetical’ broken glass where the star
Quarterback threw the desk through the shatter-proof window. I won’t move.
He said. As his brown eyes swam in a sea of fear and knowing. Lean limbed,
Hair the color of a house wren’s feathers, sandy brown. Eyes knowing and wide.
I won’t make it.

Desensitization comes from experiencing the same thing over and over and over
So it comes as no surprise when there’s another school shooting many teachers
Parents students don’t even blink, we don’t even pause to take a breath, to wonder
What it would be like if someone brought a gun to our school, what would we do
Instead we slip over to social media to hear snippets of the aftermath, we read
A New York Times article that offers a couple more of the details of the shooting
We go to work early to prepare our lessons and students move through the hallways
Seemingly unaffected. But the reality is that we, as a nation, worship guns more
Than we worship human life. Isn’t that strange and sad. We worship a mechanism
Designed for death—to kill, to end, more than we believe in the sanctity of breath of exist-
ence. What are we afraid of?

You will. I reply. You’ll make it. I’ll pick you up. He was small enough I was pretty sure I could
Do it. I’ll pass you to the closest person to the window. We’ll jump through the shatters,
Shards of glass all over the floor and grass beneath my classroom. We’ll make it. You’ll make
It. It was the first time we’d really had to sit in the corner of the classroom, our back
To wall, practicing waiting die is one of the most cognitively dissonant experiences I’ve tried
Blood beating, pulsating, trembling in my ears. Cheeks hot, heartbeats rise. I won’t make it.
He said. And I knew that he was probably right.

Deer Creek Reservoir, Sunset, September 2024. Image, my own.

Wonder

Open-eyed
Glimmer
Smile that lifts
Every part of the
Human frame
Awe that creeps
Into cheekbones
That breaths
On lips ready
For uplift
Sacred tilt of
The head
Stillness of shoulders
Confirming
Listening
Sensing
Magic

Pasture Plus Cows and Wheel Lines. September 2024. Image, my own.

Bike
Pedal, pedal, push
Push, huff, huff, up, up, over
crest the tipy-top

Double Rainbow over Soldier Hollow.September 2024. Image, Corbin Wright.

Sticky

So these poems are actually micro-narratives. You can play with these at the kitchen table. I triple-dog-dare you. The premise is simple. Write a ten, 10, word narrative about yourself. Key: do not overthink this. This is such a fun little enterprise to play with in the 1010 intro to writing class I teach.

Micro Narratives. September 2024. Image, my own.
Micro Narratives in Tech. Canva. Image, my own.

Reclamation

Greenhouse Damage, Hail Storm August 2024. Image, my own


Bill Murray

I remember the day I became Bill
My heart was breaking and I wanted
To save it, so I pulled it out through
The intercostal space between my ribs,
Right through the cage,
Careful not to catch it on my sternum
And I put my heart into a glass jar
Which I affixed around my neck with
A piece of twine, and I clamped the
Lid on tight and proceeded to live
To take baby steps
To walk around town
To ride the bus
Because I knew that if I could preserve
My heart
In that jar
I would make it
I would survive
My love would last
And others could see and understand
What heartbreak looks like
And how one lives through it
Now I understand about Bob,
“There are two types of people
In this world, those who love
Neil Diamond, and those who don’t”

Composition with Double Line [unfinished], Piet Mondrian

August

Something about August is begging to be paid attention. Be here as the gray storm gathers strength, the dark cumulonimbus clouds billow up to twenty-seven thousand feet, the hail batters the roof like an alien ice machine. Deluge. White pellets of rime nearly round and cuttingly hard tear through verdant gardens and iron city drains, pinking flower beds and translucent greenhouse roofs, pocking every possible piece of outdoor furniture and uncovered car hood.

Splatters of rain signal the reclamation of autumn as the scud clouds break from the shelf of the tumult over Mt. Wilson, tumbling as if they may make contact with the grocery store parking lot lines before turning into a fog that dissipates over the asphalt. The gale winds signal the return of fall in the rising apple-crisp air. Time asks if we’ll watch for a moment from the porch as another wind rollicks, racing through the pumpkin fields, wracking the sticky green vines against each other.

August asks if we can move so much more carefully, thoughtful of each precious moment through transition– lightning strike, cloud fall, thunder call. Glorious weathervanes snapping erratically this way then that, trying to keep up with the on-rushing squall. Can we pause and take in the smell of electricity like ozone and h2o, the brouhaha of late summer air. Drink it in.

Vøringfossen, Norway. July 2024. Image, Carrie Madsen

(Re)claim

the girl who ran in
dark canyons and
dry riverbeds when
she was young
she’s there
crunching gravel and
sagebrush under her
feet, up this next
steep incline to
the plains, the meadow
there in the stillness
a tiny creek burbles,
and a garden shed
appears with a low wind
chime, that girl,
she’s deep as a well
wide as an ocean
visceral and powerful
even then, in her
vulnerability, her desire
to love, she’ll find
that no one can
do that for her
love her like
she must love herself,
take that last sprint of the
trail right back home
reside inside herself

Evening Star, Georgia O’Keefe,

You Know

You know,
sometimes
as that little girl
bucktoothed
and freckled
you wanted
the come-up
cause you
believed
you deserved it

You know,
sometimes
you’re aware
that if you
get what you
ask for
everything
will change
again.
Like Alaska

you won’t
be able
to return
to the halcyon days
You know,
sometimes
you get caught
between your
growing and
your fragility

and, god, the
pain of it
can crush,
squeeze,
burn,
You know,
sometimes
everything gets
unstitched, unpicked
by the universe

and you’re reminded
that the old woman
at the end of the
world
must have needed
to tend her
soup
before it
scalded
she still needed

food, herself, she
still knew she
would be called upon
to (re)stich the
tapestry of earth
the raven unraveled
to feed the world,
to tend the soup,
we are her
magic and stories, too

Oregon Coast, August 2018. Image, my own.

In the Eleventh Hour

In the eleventh hour,
your girlfriends come
to hang the final doors
in your soul.

They know it is your funeral,
your wake.
The death of so much you have built
and known.

You know that’s
how it will be when you die–literally–
or you pray, or wish it to be so,
women and men surrounding you.

Understanding you need
to build this one last thing before this death,
they come with drill bits,
and toolboxes,

and dirty jokes,
and Beyoncé ballads.
You’re *Drunk in Love*
together in the night.

They come with highly
absorbent towels
and borrowed vacuum cleaners
because they know

you need to laugh and cry
at the same time.
They do the same.
It’s no coincidence when

you look down at your watch,
it’s eleven twenty.
And then you clutch your heart
as if you could offer it beating

out of your chest
to show them
how much this grand act
of love matters.

In the eleventh hour,
you call your guy-friend
and desperately ask him for
a recommendation for a plumber.

The upstairs faucet won’t stop
leaking, like your eyes,
broken, and you call him again when
the plumber tells you the only fix

is to drill through the wall
behind the tub to replace
the valve. Your friend gives you the okay,
and the world is made right for that moment.

Another friend, a man, gifts
you a ring, a broken piece of turquoise
healed with gold, Kintsugi.
Mixing Urushi Laquier into your internal joinery.

Another tells you to drink the good wine
and offers you a bottle to catch
all the confusion, upset, anger, chaos,
tumult, of these tender days.

Another wraps you up
in Spring in Seattle.
God-parent to your sons
playing super-smash until dawn.

In the eleventh hour,
your friends, who are no longer young
spread the table with salmon
and homemade spice chutney

for a feast to last through the wind.
They don’t know you’ll go home
to silently sob at their magic
on the shower tiles.

Your girlfriend jumps on her bike
to ride with you through the
rainstorm, sunshine yellow cut-leaf balsam
root punctuating each meadow.

The rain, the sun, the rich
smell of the greening earth
make you laugh with joy,
woop with pleasure over the berms

Revel in the living of it as
they’ve each given their day, their night,
precious moments of their one precious life,
to be with you, to cradle you,

to eat *Thunder Cake** and salty tears together.
It will never be final or forgotten,
this Gift.
The fact that they knew

and understood the challenge
and all stepped in
with Windex and mops
with arms outstretced

Ready to hold you
as your once-life died
and you were made anew.
You, free entirely

-MM

“In the Eleventh Hour” has to do with ambiguous grief and the power of others to help heal us in our deepest darkness and pain. You see, our society honors and marks certain types of grief, specifically the death of a loved one. The death of a partner, parent, child, sibling, or close friend presents the mourner with its own unique fire, dragons, daemons, and oceans of grief. 🌊 But some griefs in our culture do not have specific metrics or physical markers. These bereavements may be losing someone to dementia, substance abuse disorders, divorce, familial estrangement, watching someone slip away in mental illness, or leaving our religion or faith origin. When someone dies, we generally mark their grave. But when someone miscarries a baby, we often don’t have ritual to mark that grief event. The same goes for things like childhood abuse. When you grow into an adult after this abuse, who is there to mark the unimaginable path you have trod out of the way you were treated by those who were meant to be your protectors not perpetrator(s) of your worst nightmare?

I’ve found that grief is holy, sacred even. Whether you experienced an ambiguous or more direct loss through death. Human opportunities to walk through the circles ⭕️ of life and death can both teach and strain the body, heart, and soul.

When I got divorced, I sat down with Google to see if a human really could die of a broken heart. 💔 That is how bereft, how torn and sad I was. And it turns out, yes, sure enough, you can die of a broken heart. Takotsubo cardiomyopathy syndrome is the term for this condition. Your heart, in essence, cannot withstand the excess adrenaline caused by a stressful grief-induced event.

All grief has the potential to break our hearts. But, in fact, not a lot of people literally die from this condition which means that a whole lot of people who have experienced deep, great, wide grief live to tell about it. One thing that saved me in my grief was the net of love, care, catching that my family and friends spread out under me and my family. “In the Eleventh Hour” details that love.

*So worth a read. Thunder Cake, by Patricia Polacco.

The Thunder Cake Challenge! – Natascha's Palace

*Also important in this conversation, On Earth We’re Briefly Gorgeous, by Ocean Vuong.