night

Weave

| Megan
Hoar Frost. December 2024. Image, my own.

Chancel

And now I bow
In the nave
I built with my
Own hands
A force of will
Maybe, and of
Hope, and strength
And love, and
Power, and good
Ness and weak
Ness and sacrifice
And longing and
Grief and beginning
I kneel before this
Altar to my dreams
Before I burn
It down, before
The doing and
Undoing pulse
Through my being
And there it is
Again, my knowing
In the unknowing
That this temple
This altar this
Divine expression
Must ignite, must
Burn, must be made
Into ash, and thereby
Made into everything
That comes after–
The garden, the
Synagogue, the holiest
Holy, of all the sacred
Spaces, filled with the
Breath, the Fire of the
Divine Universe intoned
In your throat, in your
Heart, in your center
Melted to make
Way for something New

Wintery walk. Image, my own.

Gift

Sometimes the memories
And myths that were woven
Into your childhood become
Magic again to your arcing
Soul. The songs that break
Forth in trumpets. The
Prayers that end in good
Tidings. The trees all
Dressed in snow and stars
Light against long December
Nights which beg gathering
And joy-filled repasts

Aspen and snow. Image, my own.

Roads Taken

Two roads diverged in a snowy wood
And knowingly, quiet and somber I stood,
looking out on the starry, moonlit way
then took the path that had already been trod

With careful foot-fall through the hoary frost,
after the ribbon of travelers who’d crossed
the fork in the road, the decision place
And rather than test the dark and the cold

I took the chance to walk along
where others had gone, and bend my care
instead to perceiving the moment, the present
The here, the now, the trees and the fences

I shall be telling this in an age
from maiden, to matron, to crone, to sage,
I took the road that many had paved
And made it my journey, anyway

Fern Frost. Photograph: Skip Via, West Valley Naturalists.

Braid

dark and light
strands of fermion
behavior spin
good
evil
if they
exist
tethered
whole
to the same
fate maybe
driving Dirac’s
trick
as truth
every particle
we are made of
even distantly
is woven, connected
to the cosmological
horizon, all tangled up,
simultaneously unspun
strand by strand into
infinity

Half Moon. Image, my own.

Journey

| Megan
Trees in sun. Image, my own.

Hecate

A torche glitters in her hand, a brightly whishing brand lighting the ways– a choice,
the path you take, the path you don’t, all paths you leave behind– they are
equally lighted by her candle, paths you can see now and will never be

revealed again, in the flickering breath the shadows cast into the recessed
flume, the light loses its brilliance, the gravel of the third way spooled out along
the straighter path, and the second road banking darkly into the far side of some

gray and dusty landscape which even the brighted stars cannot now expose,
So what does this goddess of the dark night and her burning wooden beam
divine, does the curve of her hip signal some portent, message of direction,

no, the way, the path, the journey will not be signaled by another, you
must choose, you must contemplate, intuit, and define your bounds
your path will be yours, after all, your own, so you must own your choice

wavering again, the flame whispers from some fate-wind ahead, some
ancient breath of the beyond, you grip the paper of your healing in your
pocket and take one long breath, exhaled in the rising chill, a mist

spurled ahead, looking up into the star-strewn night the weight of the
choice comes softly on the shoulders of the traveler, an unseen cloak,
take a small but firm step toward the flume, the future

Canemah Bluff Nature Park. Oregon. Image, my own.

Clay

Molded and molding,
shaping, shifting, pressure,
smooth tension, long lines
a steady firmness, spirit of
water, sunlight, earth,
release, become

New Moon Amulet. December 2024. Image, my own.

Talisman

Can any thing be magic?
Any blob of gold or
Pressing of silver, can
An object, an item, a
Pinecone or umber fleck of
Bark be imbued with
Power or general chemistry
That brings transmutational
Ability, alchemy, divination

Canemah Bluff Nature Park. Oregon. Image, my own.

Some grief never leaves

And I know this because of arthritis
Some grief is permanent, the relationship
With a parent that you’ll never have, the
Child who never entered your life, the
Star that never rose in its proper place
There will be some things that leave
Mortally permanent scars, situations
Which will never be shifted into
Redemptive tales. Some scars
Will ever be with us to remind us
How pain and grief bring understanding
Gained in no other way,

Starlight street at night. Fukuōji Kazuhiko.

Journey

It began to ring true
Several steps from where
The grief began, the opening
of the way, the continued rock
and slosh of the water
Eyes opened on a world
And existence that was nothing
Like what tiny kernel of promise
In life began as. Nothing like
the seed of the idea of the life
you thought you’d live, the
contrast was searing and startling
at first. But then, by gradual
degrees, it became whole,
sound, founded, and sacred
opportunity

Nothing Like

| Megan
Jupiter and the Pleiades. November. Northern Hemisphere. Image, my own.

Holocene

When the sky lifts, so lapis and milky blue,
Your ocular senses are overwhelmed
The owl calls out, into and through the pencil-
Sketched branches of the cottonwood, then
Down from the neighbor’s roof, as the golden

Sky continues to lift into day, a flat aquamarine
The stark lines of leafless branches against
The air stand beckoning, the promise and
Possibility of new– growth, change, revivification
Glittering diamonds of momentary snow still

Hold winter’s mystery. We do not know what
We will be when the new buds come, but only
What is– this moment, this tree, this
Possibility of everything, anything
Makes our heads spin and swim

Bounded by our humanness, mortality
Consequence, but dazzled by all that is
In us– the roads we’ve wandered, mountains
We’ve scaled, journeys taken and joyed over
And travailed. So much unknown

It still feels like the owl is a good omen
Round white face, deep open amber eyes, wide
And night-visioned, all the flecks and freckled feather
patterns of each wing spread against dawn and dusk
Gifts that portent deaths and lives to come

No Name Saloon. Park City. Image, my own.

Shoes

When your shoes wear
out
run like hell through
tulip fields
Take off
to the mountains
Climb every geologic
Formation
Just to
Prove
You’re alive
You can
You’re not dead… yet
You still want
To spend that
moment with the crickets
under night’s blackness
only the stars
know you’re there

When your shoes are
worn out
you take your daughter to
the gravel pit
and train
your camera lens
on the North Star
tripod so still
to prove
you know
where you are going
even though you
Don’t
you depress
the shutter
let the sky bleed in
for hours
and all you are left with
is time

No time left
But you have those
Shoes
to remind you
to keep you
on your journey
Home–
Through–
Around–
To–
To that time
When the cosmos
smudged its glory
across the lens of
your camera
Film
Still
the most sure sign
that the stars
will fall in
to center
North
Balance
bringing these stars
to you

Autumn Sunset. November 2024. Image, my own.

Question(s)

For all those who question:
Borders
Boundaries
Countries
Alliances
Allies
Friends
Enemies
Economies
Lovers
Children
Fools
Frauds
Race
Place
Faith

I love you

Winter Dandelion. Acrylic on heavyweight cotton paper. Margo Elizabeth Glass. 2024

Night Guide

When Ursa Major dips so low
In the Northern Hemisphere that
Only her two guiding stars are
Visible in the deep of darkness
Black, the seven sisters start to rise
Pleiades, in silent winter’s night as
Cassiopeia, queen, stands out above
The calm chill also pointing her way to our
Closest cosmic simulacrum Andromeda
The stars are there, uncaring and seemingly
Cold, distant even impossibly far, and yet
Known, seen, perceived though the crickets
Haven’t made a sound, the air, nearly
Incorporeal breaths of rest, sleep,
A thousand dreams take flight

Moon, Venus, Timpanogos. Image, Steve Olpin.

Oregon

| Megan
Coastal Sunset, Falcon Cove, Oregon. Image, my own.

No Phone

All this connectivity
Search engines and
Social media, email
Severs and direct
Message platforms
Every app, it can
Certainly feel
Exhausting to be
so very connected
to each other, yet
Barely involved with
One another,
Bodily, physically,
Beyond productivity
Trackers and fitness
Bits what happens
When you are
Cabined away
In the ferns, Sitka
Spruce, magnolia, and
Dogwood of the

Oregon Coast
Magic as the mist
rolls in from
Cove Beach and you
Stretch out on a
Carnelian settee to
Watch the fog billow
In and congeal on the
Picture windows and
Back-bone of
Driftwood lying in the
Long grass
Gray-white skeletons
of the Ocean made
Manifest to
Remind that
Everything has
Source, spirit, purpose
You put some Peace
Piece, Bill Evans
On the record player,

But eventually let
Everything fall silent
Once again because
The treasure is the
Stillness, the disconnect
The quiet hum of the
Needle across vinyl
Being dampened by
Swelling waves perhaps
Yards away, the mighty
Roll of the Ocean speaking
that sometimes being
Whole means being
Havened away, un-
Reachable,
no phone,
SOS, airplane mode,
Out of service
Out-of-office
Elsewhere, gone

More sunset, i. Oregon, Coast. Image, my own.

Slow Dance

Slow dance with yourself on a Sunday morning
Take your hair down and grab one hand in your other
Life your spirit onto the raw wooden floor of the
Little house you call home, hickory scraped by thoughtful
Hands, where you live, sway to the beat of your heart, love
In time to the pulse of your quiet longings, smile
in self-solidarity, spin, circle, so that you see where
you are, grounded, so that your heart senses that
every part of you understands that you are the only one
who can inhabit your soul, your spirit, your life, your love
kiss your own vitality with a gentle nod, your body, your mind,
your essence, well, whole, perfectly safe. Let the music
take your shoulders and hips in the rhythm and stride
or two, of just you, slow dancing with yourself

Beija Flora, Cove Beach, Oregon. Image, my own.

Yes

Yes to me
Yes to life
Yes to ocean
Yes to mountain
Yes to lift
Yes to love
Yes to change
Yes to work
Yes to nobility
Yes to learning
Yes to risk

Sunset, Oregon Coast. Image, my own.

New Mythologies: Achilles

I’ve needed new mythologies
For a long while now, in fact,
I remember stating this bluntly
When heading out for a swim
Around the long arm of a lake
With a friend, and it turns
Out that the inception of these

Tales and tides save(d) me
from both pride and envy,
boredom and bliss, these
mythologies had already begun to
Take root in my life,
some of them recently, and some
Long, long ago

Achilles was the son of Thetis
And Peleus most strong and noble
Soldier of the Trojan War who was
Dipped in the River Styx by his ankle
His weakness, you know it,
Because it becomes the place of his
Death, pierced by Paris’s arrow

But my achilles is the only thing that
Was saved when I fell free
Climbing, ten feet, and my foot was torn from
My ankle nearly off, but for the
tendon, the achilles, which saved me–
my ability to walk, to run, to ambulate, to
Be in the woods and rivers, canyons
And valleys

How important then, that all that was
Holding my life together actually was
My hubris, my weakness, my ineptitude
The irony wasn’t lost on me, and how
Weakness is in us all, and thereby
A crucial part of every life
And maybe our downfall

But may actually become our very
Strength as I learned the gift of
Living, of understanding difference
And ability across many fractals
Was shown and learned to show
Others empathy in their need,
In their frailty

I was dipped back into mortality
By my wound, by my heel,
By my maiming
The weak point
The place of mortality
The pinch of imperfection
Made into strength

More sunset ii. Image, my own.

Peaches

| Megan
Peaches. Farmer’s Market. by Quin Olpin. September 2024.

Benediction

Candlelight wavers in the silent brush of the ceiling fan
Night air sinks into currents of cool water brought up
From the little creek, the smell of river paired with even
More oxygen lifts and falls on a fleeting breeze, fresh and sweet

Whatever music and magic there is to be had in
The universe is happening right here inside my home
At my table, it happens in moments like these, in every
Pocket of the world tonight– right here, right now, breath easy

Big Dipper. Again and Forever. September 2024. Image, my own.

Horǎ

In dream, the night is thick
with cricket symphony
the grass stalks golden,
long and chilled in the
meadow, above the sentinel
oak the stars prick blackness
like reverse needle-work
intricate dance, flowing and fire,
thousands of light-years away
yet seemingly so near

The tent is simple and
the lashings have been tested
in a storm that whipped through
an hour ago, howling
at the white flaps of canvas,
smattering rain onto the party
but the air now returns to dark stillness.
Lanterns, re-lit, quiver
and sway in simple
atmospheric breaths

I hug my sister close,
smile at a friend across
the way, eyes connecting
and story-telling for just
an instant and then
I am physically
swept away, time suspends
its relentless snick, and
in that instant we spiral
as one

Limbs outstretched, grasping
and firm as we reach
for one another, smiles,
countenances as wide and
open and awed as galactic
arms around and around
We swirl in an ancient pattern
of love, mirrored in the heavens
templated by earth
and actioned by humans

Under the open-sky,
beneath the tent, midst
the lanterns, our heat
rising in healing, and
celebration, and joy,
an eschewance of hatred,
a ceremony of
transcendence and light
through the ages

Plexus no. 34. Gabriel Dawe. Amon Carter Museum, Austin, TX.

Peach

Oh. My. God. Let the sweet
nectar drip over your lips
and down your chin

Why contain this
experience, the velvet
skin, the wet flesh

The fruit of summer
realized, the sweetness
and pleasure, stunning

Grosa & Nebulosa. Galaxy.

“We have to beware of the extent to which liberal individualism has actually been an assault on community… when the genuine staff of life is our interdependency, is our capacity to feel both with and for ourselves and other people.” –bell hooks

Interdependency

Oldest: “Mom, mom! You’ve got to come look at this moon!”

Youngest: “Mom, let’s dance to this song right here in the kitchen.”

Oldest: “i love you” “u r srsly weird”

Youngest: “don’t die”

Oldest: “goom, can you send me five gold dubloons for wendy’s?”

Youngest: “Hey, do you know where my hazmat suit is”

Peaches. Claude Monet. Staatliche Kunstsammlungen Dresden.