Image above “Blek le Rat: This is Not a Banksy”, The Independent, 2008

I didn’t put much thought into all of the commentary surrounding Banksy when I took those outfit photos I posted yesterday. To be honest, I hadn’t done my homework before those snaps. I thought Banksy was an uber-cool, uber-famous graffiti artist tagging for the win, turning social gaffes into palatable packets of graffiti around the world. Ironically because of his fame, I just heard an artist’s name I’d come to equate with GOOD– good art, good pictures, good graffiti. Good on you, Banksy.

I didn’t realize there was such foment around his work. In fact, the most controversial traction Banksy gathered in my memory was the story of a Utah man who had defaced another of his pieces in Park City, spraying it over with brown spray paint. (The man was ordered to pay $13,000 in restitution, incidentally.) What a shame. An inherent risk of artistic mode, I thought. But there was so much MORE.

Naively, I thought Banksy was further advancing his vote in the debate of graffiti vs. art, or graffiti as art. ART, tally mark, I got it. I didn’t even take the hint when the piece I stood in front of featured a camera man, innocuously filming a vibrant flower… Until a more careful observer realizes that the camera-person has pulled out the entire plant down to the root. Ignorance– it’s a b*!@$!

Needless to say, too many hours spent scanning the inter-webs have brought me to a totally different place of understanding. If not understanding, at least KNOWING. Banksy’s images celebrate anything but the smilingly brief soul-of-wit I originally thought they were intended to project– a little cuff on the proverbial head of each of us.

Instead Banksy condemns all of us, or at least those of us who hold a portion of power pie. He actually attempts to represent the tip of the iceberg of human antipathy, subtly and not so subtly pointing to the nearly 90% of the BERG that lies submerged just below us. Maybe that ice berg analogy is WEAK and the message is actually a MOUNTAIN in front of us, none of which lies subterraneanly. A massive pile of conviction we still want to treat as a mole hill.

This mountain of enmity stands for widespread societal apathy to human suffering: pain, war, policing, consumerism, sexism, racism, capitalism, the result of which drives some of the most horrific, gruesome, grotesque and UNIVERSALLY hateful actions we give as a dole to the poor, the underprivileged, and disenfranchised of human-kind. That which we would like to term indiscriminate indifference serves to drive the hatred of discriminative detention and deprivation on the least of these– our very own human brothers and sisters.

Back in 2008 the Smithsonian’s National Portrait Gallery hosted an installation titled “RECOGNIZE! Hip Hop and Contemporary Portraiture”. After some thoughtful days about the messages of Bansky’s art I went back to find the poem that was actually played in a room along with this art installation titled “No Thief to Blame”, by Shiniqe Smith:

It’s Not a Just Situation:
Though We Just Can’t Keep Crying About It

By Nikki Giovanni

You don’t
Just wake up and brush your teeth and make up your bed
and put on your favorite pair of blue jeans

You don’t
on other evenings
Just sneak away from your sleeping lover
Just to grab a bite of Quik Stop
Just to hop a train

You don’t
Just visit the 24 hour superstore
Just to get a few cans
of spray paint
And
Just happen to have a case to put them in

You are not
Just out of yellow
So you’ll
Just shadow with grey this time
And
Just shy of metallic blue you will
Just fill in with electric orange

You are not
Just bored
Or hungry or silly or
Just crying for attention

You are
Just, if there is a
Just
Trying to be an artist

You are
Just
If there is any
Justice
Trying to find a way of not
Just surviving but living

You are just
trying to show the beautiful soul of your people
You are just
trying to say “I’m alive”
You are just
determined to be more
than what the powers who
Just hate the idea of you want you to be

You are just
trying to discover the route
of the neo underground railroad
so that your kids can
Just be free

You are just
being a man
You are just realizing
your womanhood
You are just singing and smiling
because you
Just don’t want to cry anymore

You are just
falling in love
because hatred is too hard to bear

You are just
determined
to be the very best you and
You just guess
you better not let anyone take that away

You are just
a person
with a big heart and wonderful talent
That you just
think should be shared

Put a button on it
people

‘cause suspenders
Just
won’t
do

Banksy and even his contemporary counterparts with more Queens or Detroit street cred, are also not the first to co-opt this art form as a method of activism, voice, protest, and social commentary. Graffiti may have been around as long as petroglyphs and pictographs etched and sketched their way into human history.

A French artist who goes by the name Blek le Rat used graffiti as his mode beginning in the early 1980s. Again, there is a beautiful read of his work, here, in The Independent. Bleck’s sheep and businessman are the banner picture to this post. Can you say, Baaaaaa! Society! It totally smacks of Charlie Chaplain’s Modern Times.

Where Blek began, Banksy’s work goes further. Perhaps he’s trying even harder to strike at the nerves of social justice and rage at the roots of global human disenfranchisement because there is no end sighted, no reprieve, no overcome.

If you, too, want to be examining the interplay between society and long-held hierarchies, war and the callousness the media’s removed third-person apathy festers in each of us, hatred and questions of color, race, nationality, poverty, power, powerlessness, and any other cogent social or environmental question you should check out Banksy’s Instagram feed, or Banksy’s website.

If you believe that the conversation surrounding graffiti as art is long decided, like I foolishly did, consider the comments peddled by the Westminster County Council after their vote to remove the image below from a building housing the Royal Mail and other businesses. The Times reported Robert Davis, the chairman of Westminster’s planning committee, as saying that the personality behind the artwork was irrelevant. “If we condone this then we might as well say that any kid with a spray can is producing art,” he said.

The mural showed a red-hooded little boy on a ladder rolling the message up the wall, “One nation under CCTV”, while a police officer and a brown dog watched on. Apparently Big Brother didn’t like the message, and the mural was removed in 2011. GRAFFITI: a child dissident with a spray paint can, TRASH. Tally mark, I got it.

Don’t fool yourself into thinking that you will necessarily like what you see. In fact, even a fan of Banksy’s work wouldn’t or shouldn’t, I don’t think, LIKE what they see. There are many, many images and arts laced with all manner of controversy, as is approached in this article in Mental Floss, “Banksy’s 11 Most Complicated Works”. Great and small, controversiality is the entire intent. But don’t also fool yourself into thinking that you shouldn’t, don’t, or can’t grapple with what those works of art read– objectively AND subjectively.

I look and look and look some more. I read and read and read again. I am convicted.

Megan

Growing up we often skipped Sunday dinner. Instead we’d sup on popcorn, apples, and other simple eats. This was due to the fact that we’d often eat a large dinner or late lunch. I’m also pretty sure that feeding five kids 21+ times a week also had something to do with this Sunday tradition.

As a parent there are times that I am simply exhausted by food preparation– the getting, the prepping, the making, the eating, the cleaning. It can feel more like “throwing a bone on the table” than a delightful family dinner. This from a woman who sings the benefits and blessings of family dinner every chance she gets.

I didn’t know that this Sunday supping would become a tradition in my own home. Granted, it’s not every Sunday that I reach for a bag of microwave popcorn and leftover fruit and veggies. But this month has allowed me some extended time with the babes at home as our Dad conquers Europe in a single bound (okay two week-long business trips, but still). I have often made it to Sunday Eve with no proper food plan, no desire for takeout, and no ambition to do anything other than throw a popcorn party.

In the simple words of Sheldon Harnick’s Tevye, “TRADITION!”

You know what? It’s been great. Remarkable even. Mommy has had  a moment to breath. Boys have had several indoor picnics. Life sans large dinner has actually felt rather perfect. I’ll leave you to these pictures of my sweet angels sitting rapt in some movie on my Grandmother Dorothy’s quilt. But I’d love to know what relaxing moments you’ve shared with family or friends lately?

What are some of your traditions? They don’t have to surround Sunday dinner, or even meal-time. Are there any traditions that have made your home-life infinitely better? I’d love to hear!

XX, Megan

Let’s lighten up this Friday with a delicious and nutritious recipe!

We’re gobbling up this salad for dinner tonight and I am posting it tomorrow, but I actually had this for dinner on Wednesday and I am absolutely reveling in the flavors! This is a great side dish for a more formal dinner, and you can make up to two days in advance (refrigerate for 3 days total) if you’re hosting something special and want to check off a few dishes in advance.

Check out some of the extras you can add to this salad (below the recipe in the notes are some fun ideas). Try it and tell me! Did you like it? I am still salivating over the light and delicious flavor paired with such a nutritious line-up of characters. Lick your lips, it’s a good one!

XX, Megan

Ingredients for main dish

• 1 large head broccoli, cut into florets
• 1 red bell pepper, finely chopped (1/4-inch pieces), or use 1/2 cup chopped jarred red peppers
• 1 1/2 cups chickpeas (garbanzo beans), canned or cooked (rinsed and drained if using canned)
• 1 cup fresh flat-leaf parsley, chopped
• 1/4 cup chopped walnuts, lightly toasted or toasted pine nuts*
• 4 scallions, thinly sliced (about 1/2 cup), or use a red onion
• 1/4 cup extra virgin olive oil
• 2 Tbsp. balsamic vinegar
• 1 lemon, juice only, about 1/4 cup
• 1/4 – 1/2 tsp. salt, to taste
• 1/8 tsp. black pepper
• 1 cup feta cheese, crumbled
• 1/4 cup dried cranberries (preferably naturally sweetened)*

*I substituted cashews for pine nuts, and dried cherries for the cranberries. Aviva also suggested that you could put a more mediterranean twist on this recipe by adding kalamata olives, finely sliced shallots, or even faro to this salad which I am DEFINITELY going to try next time!

http://www.thescramble.com/recipes/broccoli-chickpea-salad-lemon-vinaigrette/

I like to begin by gathering the cast of ingredients:

If you are using a head of broccoli instead of these pre-cut florets like I grabbed, begin by chopping your broccoli into bite size florets (alternatively, you can steam the broccoli head and THEN chop into florets, whichever you prefer).

Steam the broccoli for 3 minutes in the microwave or on the stovetop in an inch or so of water. It should turn a nice rich green color. While your broccoli is steaming, chop the red pepper, scallions, parsley and drain and rinse the chickpeas. Once the broccoli is steamed, allow it to cool for a few minutes before adding the other ingredients. You can mix up the dressing now in a large measuring cup. Combine the olive oil, balsamic vinegar, juice of one lemon, and salt and pepper. Whisk.

Combine the broccoli, red pepper, chickpeas, parsley, nuts, scallions. Toss with the dressing. Gently stir in the cranberries. Garnish with feta. (Here again, you can stir the feta into the entire salad, or for more picky eaters, reserve the feta for adult bowls only!) Side dish link below!

Don’t be afraid of a vegetable overload! Try these Baked Parmesan Zucchini for a side dish!

http://damndelicious.net/2014/06/21/baked-parmesan-zucchini/